The Deserter, and Other Stories: A Book of Two WarsFrederic, Harold
History
The Deserter, and Other Stories: A Book of Two Wars
Frederic, Harold
Great Britain -- History -- Wars of the Roses, 1455-1485 -- Fiction; United States -- History -- Civil War, 1861-1865 -- Fiction
Only the slowest and stoutest of the lay servitors in the kitchen
lingered yet over their morning meal when the boy, his hunger led
forward by keenest smelling sense, found his way thither. Within this
low-vaulted chamber it was as if the confusion of tongues had fallen
again. There were some hardier spirits who had, from sundry distant
points of vantage, seen a tithe of what Hugh had witnessed. These told
their tales to gaping, awe-stricken groups with much bold embroidery
and emblazoning of fancy, peopling the field with mailed giants, and
imputing to magic the mystery of the cannons, whose dire bellowings
gave even these stony kitchen walls a throbbing pulse. Worse still was
what the village vagabonds--permitted for the once to enter freely and
mix with their betters before the fires--related with rolling eyes and
quaking voices, to wile further victuals from the frightened cooks.
Into such riot ran this babel of loose tongues that not even the
Precentor's entrance stilled it. This gentle, soft-eyed old monk had,
indeed, no thought to govern aught or any, and gazed about over the
motley throng as one abashed, until his glance fell upon Hugh. To him
he beckoned, and, when the two were without upon the stairs, made
hurried explanation:--
"His Lordship will himself sing the early Mass, with pontifical
procession, and full chapter ceremonial. Get thee with all speed into
thy surplice, comb out thy locks--shalt bear the cross!"
A brief while later, paced slowly from the cloisters the long
devotional line, Hugh, all aglow with pride in his new office,
advancing at its head, with the jewelled cross upheld aloft. After him
were singing boys in surplices and singing men with added copes; then
two score monks in ebon black with lighted tapers, the secular canons,
the priests of the Abbey, the priors, the deacons attired for the
altar, and last the venerable Abbot, John Strensham, bent with age and
infirmities, and wearing over his vestments an almuce with hood of
ermine, because his blood was cold. Into the choir the procession filed
with measured step and solemn chant--and then, as by some sudden stroke
of universal palsy, foot halted and song died on lips.
Such a scene as never monk or abbot had dreamt of in Tewkesbury lay
before them.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account