The despot of Broomsedge CoveCraddock, Charles Egbert
General
The despot of Broomsedge Cove
Craddock, Charles Egbert
Mountain life -- Fiction; Tennessee -- Fiction
“Hey!” he cried out, with a gay intonation, not intermitting his labors.
“Hello!”
That he was a stranger, a man of medium size and slenderly built, bending
over the anvil in the shadow, since the fire languished for the lack of
the breath of the bellows, was the merely momentary impression made upon
Jepson’s mind. His eyes fell upon a woman sitting on an inverted keg in
the red light of the dusky, half-illumined room; he did not recognize her
instantly, although she rose at once and advanced upon them.
Clem Sanders stepped back, a look of astounded doubt, as if he could not
believe his eyes, contending with the certainty in his face. For the
woman was his mother.
“Waal, I hev hunted fur ye, an’ hunted,” she addressed him in a tone
of acrid exasperation. “An’ I hollered an’ hollered. An’ I sent leetle
Silas hyar”—she pointed to a small nephew of Clem’s, a frequent visitor
at the blacksmith’s house, whom Jepson had not seen until this moment,
a tow-headed urchin of twelve, who sat in a crouching position on the
hub of a broken wheel which lay on the floor—“ter hunt fur ye, an’ he
couldn’t find ye. Hyar’s a strange man in the Cove kem up ter the house
a-sarchin’ fur ye, an’ wantin a leetle job o’ blacksmithin’ done, an’ ye
can’t be rooted out from nowhar!”
She was a tall, angular, thin-faced woman, with an expression of gravity
and care in her lined features, and she had a tone that boded the rigors
of domestic inquisition as she demanded, “Whar hev ye been?”
Clem’s wildly anxious glance at his tools in the stranger’s hands availed
nothing. The account of himself was evidently the essential preliminary.
Jepson touched his shoulder with his own as a secret warning, as they
stood side by side in the door of the forge, but had the disclosure been
far more significant the hap-hazard Clem would have nevertheless blurted
it out as he did.
“In the barn,” he replied.
“Ye air tellin’ a story,” his mother retorted, with a manner reprehensive
certainly, but with a coolness as if contemplating an offense of
infinitely multiplied precedents. “I sent leetle Silas ter the barn, an’
he ’lowed ye warn’t thar, though he hearn harnts talkin’ in the loft, an’
they made him ’feard. An’,” lifting her bony arm, shaking her forefinger,
and lowering her voice impressively, as if fairly cornering him, “I sent
him _agin_ ter climb up inter the loft, ez no harnts would hurt him with
me so nigh, an’ he kem back, an’,” triumphantly, “he say ye warn’t thar,
nuther.”
Public-domain text, read in full here on John Shaqi.
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