The despot of Broomsedge CoveCraddock, Charles Egbert
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The despot of Broomsedge Cove
Craddock, Charles Egbert
Mountain life -- Fiction; Tennessee -- Fiction
She forbore for a moment to mark how her shaft had sped. She sat
motionless, her feet perched on the rung of the chair, and she
looked very small and unintentional, and reflective, as she placidly
contemplated the night scene. The fireflies fluctuated in the dank
shadows, that gloomed duskily about the porch; now close at hand, now
a momentary gleam far away in a bosky tangle, still multiplying, till
they seemed some elusively glittering network spread as a snare for the
darkness. The mountains had become invisible in the blackness, save
for their rigid summit-lines against the sky. The frogs chanted by the
water-side, and katydids were monotonously shrilling in the orchard. The
grating of Teck Jepson’s chair on the floor, as he abruptly shifted his
position, was the only sound that broke upon the quiet with the jarring
effect of interruption, and as Mrs. Strobe turned she saw his face thrown
into strong relief by the rays of a tallow dip within, which Marcella
had just kindled. The white light streamed forth as far as the great
gourd-leaves behind his head, eliciting their faint green color with the
interstices of olive-hued shadows. His face had relaxed; it was haughty
no longer. There was an alert anxiety in the blue eyes which the mountain
girl fancied so deep. He had taken off his hat, and pushed back his dark
hair from his forehead. He was frowning a little, and yet he hardly
noticed the sudden flare of light upon his face; his compressed lips had
softened, had parted. He said nothing. Another voice came out of the
darkness:—
“I dunno what Clem Sanders mought ondertake ter set hisse’f up ter git
mad fur, ’kase Marcelly ’lows ez this one or that one air good-lookin’,”
“Woolly” spoke up, with an acrimony and a decision which showed that his
discourse was not exclusively confined to the placid “baa.” “Clem Sanders
hain’t got no right ter say nuthin’ ’bout good-lookin’ folks, the Lord
above knows, all marked up with cinders an’ soot ez he be. I’ll be bound
Marcelly ain’t a-goin’ ter interrupt herse’f studyin’ ’bout what Clem
Sanders thinks ’bout good looks.”
“What ye talkin’ ’bout? Hev yer senses deserted ye?” the grandmother
remarked to the “frequent visitor,” with a tart familiarity induced,
perhaps, by the frequency of his visits. “Ye can’t expect a blacksmith
ter be nuthin’ but cindery an’ sooty,—like folks ez plow gits miry. None
ter choose ’twixt ’em, I’m a-thinkin’.”
“I know that.” Andy Longwood made a feint of acquiescence; then continued
droningly, as one who has a grievance, “But Marcelly ain’t mindin’ Clem
Sanders,—else she ain’t the gal I take her fur. Looks so grizzly an’
sooty, I ain’t s’prised none ef the Satan ez Pa’son Donnard seen settin’
on the anvil in the forge warn’t nuthin’ but Clem hisself.”
“Shucks!” said the uncompromising Isabel. “_He_ hed wings an’ hawns,
’cordin’ ter pa’son, an’ Clem hain’t nare one.”
“Waal, I don’t keer,” growled “Woolly.” “Clem’s a sight ter be seen, a
scandal ter the jaybirds.”
Public-domain text, read in full here on John Shaqi.
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