Finally, there is a class of representations depicting the ultimate fate of souls after judgment has been passed. Some are shown seated at banquet, in full enjoyment, according to their ideas of bliss. Some are shown undergoing punishment, beaten with hammers, stabbed and torn by black demons. There are no proofs that the Etruscans believed in the translation of any soul to the abode of the gods above the sky, no signs of any path rising to the supernal heaven; but they clearly expected just discriminations to be made in the under world. Into that realm many gates are shown leading, some of them peaceful, inviting, surrounded by apparent emblems of deliverance, rest, and blessedness; others yawning, terrific, engirt by the heads of gnashing beasts and furies threatening their victim. "Shown is the progress of the guilty soul From earth's worn threshold to the throne of doom; Here the black genius to the dismal goal Drags the wan spectre from the unsheltering tomb, While from the side it never more may warn The better angel, sorrowing, flees forlorn. There (closed the eighth) seven yawning gates reveal The sevenfold anguish that awaits the lost. Closed the eighth gate, for there the happy dwell. No glimpse of joy beyond makes horror less." In these lines, from Bulwer's learned and ornate epic of King Arthur, the dire severity of the Etruscan doctrine of a future life is well indicated, with the local imagery of some parts of it, and the impenetrable obscurity which enwraps the great sequel. CHAPTER V. EGYPTIAN DOCTRINE OF A FUTURE LIFE.