beasts described by several of the Jewish prophets, and in the Apocalypse, were borrowed from Persian art. Sculptures representing these have been brought to light by the recent researches at Persepolis. Finally, all early ecclesiastical history incontestably shows that Persian dogmas exerted on the Christianity of the first centuries an enormous influence, a pervasive and perverting power unspent yet, and which it is one of the highest tasks of honest and laborious Christian students in the present day to explain, define, and separate. What was that Manichaanism which nearly filled Christendom for a hundred years, what was it, in great part, but an influx of tradition, speculation, imagination, and sentiment, from Persia? The Gnostic Christians even had a scripture called "Zoroaster's Apocalypse."43 "The wise men from the east," who knelt before the infant Christ, "and opened their treasures, and gave him gifts, gold, frankincense, and myrrh," were Persian Magi. We may imaginatively regard that sacred scene as an emblematical figure of the far different tributes which 42 Lucke, Einleitung in die Offenbarung des Johannes, kap. 2, sect. 8. 43 Kleuker, Zend Avesta, band ii. anhang i. s. 12. a little later came from their country to his religion, the unfortunate contributions that permeated and corrupted so much of the form in which it thenceforth appeared and spread. In the pure gospel's pristine day, ere it had hardened into theological dogmas or become encumbered with speculations and comments, from the lips of God's Anointed Son repeatedly fell the earnest warning, "Beware of the leaven of the Pharisees." There is far more need to have this warning intelligently heeded now, coming with redoubled emphasis from the Master's own mouth, "Beware of the leaven of the Pharisees." For, as the gospel is now generally set forth and received, that leaven has leavened well nigh the whole lump of it. CHAPTER X. GREEK AND ROMAN DOCTRINE OF A FUTURE LIFE. THE disembodied soul, as conceived by the Greeks, and after them by the Romans, is material, but of so thin a contexture that it cannot be felt with the hands. It is exhaled with the dying breath, or issues through a warrior's wounds. The sword passes through its uninjured form as through the air. It is to the body what a dream is to waking action. Retaining the shape, lineaments, and motion the man had in life, it is immediately recognised upon appearing. It quits the body with much reluctance, leaving that warm and vigorous investiture for a chill and forceless existence. It glides along without noise and very swiftly, like a shadow. It is unable to enter the lower kingdom and be at peace until its deserted body has been buried with sacred rites: meanwhile, naked and sad, it flits restlessly about the gates, uttering doleful moans.