The Destruction of the Greek Empire and the Story of the Capture of Constantinople by the TurksPears, Edwin
History
The Destruction of the Greek Empire and the Story of the Capture of Constantinople by the Turks
Pears, Edwin
Byzantine Empire -- History -- 1081-1453; Istanbul (Turkey) -- History -- Siege, 1453
We have nothing to enable us to judge whether the emperor possessed the
power of utterance which at various periods in the world’s history has
enabled great soldiers to kindle the enthusiasm of their followers. If
ever occasion demanded such power, beyond doubt it was the present. One
advantage at least the orator possessed: he had an audience entirely in
sympathy with him. Whether he succeeded or not in inspiring them with
a confidence which he can hardly have himself felt may be doubted. But
that all were determined to follow the emperor and to sacrifice ‘wives
and children and their own lives’ in defence of him and their ancient
city is attested by both reporters. The leaders, after the fashion
still prevalent in Eastern Europe, embraced and asked forgiveness
of each other, as men who were ready to die, and, solemnly devoting
themselves to the cause of the emperor, repaired to the great church of
Hagia Sophia, ‘to strengthen themselves by prayer and the reception of
the Holy Mysteries, to confirm their vows to fight, and, if need be,
unmindful of all worldly interests, to die for the honour of God and of
Christianity.’
[Sidenote: Last Christian service in Hagia Sophia.]
The great ceremony of the evening and one that must always stand out
among the world’s historic spectacles was the last Christian service
held in the church of Holy Wisdom. The great church had not been
regularly used since the meeting of December 12, which had led to so
much heart-burning and ill-will. Now, at the moment of supreme danger
for Constantinople, the fairest monument of Eastern Christendom was
again opened. The emperor and such of the leaders as could be spared
were present and the building was once more and for the last time
crowded with Christian worshippers. It requires no great effort of
imagination to picture the scene. The interior of the church was the
most beautiful which Christian art had produced, and its beauty was
enhanced by its still gorgeous fittings. Patriarch and cardinal,
the crowd of ecclesiastics representing both the Eastern and Western
Churches; emperor and nobles, the last remnant of the once gorgeous
and brave Byzantine aristocracy; priests and soldiers intermingled,
Constantinopolitans, Venetians and Genoese, all were present, all
realising the peril before them, and feeling that in view of the
impending danger the rivalries which had occupied them for years were
too small to be worthy of thought. The emperor and his followers
partook together of ‘the undefiled and divine mysteries,’ and said
farewell to the patriarch. The ceremony was in reality a liturgy of
death. The empire was in its agony and it was fitting that the service
for its departing spirit should be thus publicly said in its most
beautiful church and before its last brave emperor. If the scene so
vividly described by Mr. Bryce of the coronation of Charles the Great
and the birth of an empire is among the most picturesque in history,
Public-domain text, read in full here on John Shaqi.
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