The Desultory Man: Collection of Ancient and Modern British Novels and Romances. Vol. CXLVII.James, G. P. R. (George Payne Rainsford)
General
The Desultory Man: Collection of Ancient and Modern British Novels and Romances. Vol. CXLVII.
James, G. P. R. (George Payne Rainsford)
Fiction
As the sun rose next morning and shone in at the window of the
diligence, the light fell upon her fair face and braided dark hair, as
she lay asleep upon the shoulder of her father, who gazed upon her
closed eyes and motionless features with that peculiar look of soft
affection alone to be seen in the face of a parent. It was as lovely a
picture as I ever saw. He caught my eyes fixed upon them; but there
was nothing in my look that could give offence, and he smiled, looking
back upon his child once more, and saying, "Pauvre enfant!" He spoke
as if he felt at once that I could enter into all his sensations. Many
a man--I am afraid many of my own countrymen--would conceal such
feelings, simply from the fear of being laughed at; yet surely, of all
sorts of _mauvaise honte_, that is the worst which makes us ashamed of
what is pure and noble, and natural and beautiful. A few more leagues
brought us to Bordeaux. But as I have a story to tell, I must not
pause long even to give an idea of the town in which the scene is
laid. I will allow myself two pages and a half.
Bordeaux is certainly one of the handsomest towns in France., The old
city, like most other old cities, is narrow and confined. The builders
of that day seem to have imagined that there was not room enough in
the world for them, and have therefore packed their edifices into as
small a space as possible. The finest parts of the town are beyond the
old walls, the line of which is still to be distinguished by the
appellation of Fossé, given to the new streets, now built upon their
former site. The river, being, as it were, the wet-nurse of Bordeaux,
the houses have accumulated upon the bank, following the bend of the
Garonne, in one of the most splendid crescents that can be conceived;
and a beautiful bridge of seventeen arches, with a fine simple
triumphal gate, at the end of the Rue des Salinières, adds not a
little to the beauty of the scene.
The town is formed, in general, of a light kind of stone, very easily
worked, which, perhaps, is one cause why the private hotels and
principal streets are so magnificently decorated in the upper
stories--but it is in the upper stories alone, for the ground-floor is
generally occupied by petty ill-contrived shops, and never by any
means harmonizes with the higher parts of the building. I have seen
the lower story of a princely habitation tenanted by a cobler, and a
small pastry-cook's dirty shop below one of the finest houses in
Bordeaux.
The theatre, too, which is a very superb piece of architecture, has
its arcades crammed full of book-stalls and old-clothes shops. In
short, the incongruity which mingles more or less in everything
French, shows itself nowhere more strongly than in the buildings of
this town, certainly one of the most beautiful in France.
Public-domain text, read in full here on John Shaqi.
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