The Desultory Man: Collection of Ancient and Modern British Novels and Romances. Vol. CXLVII.James, G. P. R. (George Payne Rainsford)
General
The Desultory Man: Collection of Ancient and Modern British Novels and Romances. Vol. CXLVII.
James, G. P. R. (George Payne Rainsford)
Fiction
The owner was absent, but we were admitted immediately, and taken, in
the first place, into the apartment where Montesquieu had composed his
_Esprit des Lois_. A little more reverence for old times had been
shown here; the room was exactly in the state he left it when he died;
there was his arm-chair, and all the rest of the old damask furniture,
spotted and stained in a truly classical manner; and there was the
hole the sage had worn in the marble by resting his foot with
mathematical precision always on one spot. We saw it all--all, which
is nothing in itself, but something in its associations. We were then
taken through the house, which appeared a large rambling kind of
building; but, to tell the truth, I do not recollect much about it,
except one large hall of very vast dimensions, where lay an old
helmet, which something tempted me to put upon my head, and which I
once thought must have remained there for ever, for, as if to punish
me for the whim, during some time I could get it off by no manner of
means. I have said that I remember little about the house; the reason
was this--I was thinking more at the time of the woman who showed it
to us than of anything else in it, aye, or of Montesquieu into the
bargain. Now there may be many people who would judge from this
confession, that she was some pretty _soubrette_, whose beauty had
taken my imagination by the ear. But no such thing: not that I am not
fond of beauty in every shape, but the case was different in the
present instance. What or who she was I do not know; but if Dame
Fortune had placed her in any other situation than that of a lady, the
jade of a goddess ought to be put in the pillory for a cheat and an
impostor. Her dress was of that dubious description which gave no
information; but her manners--her air--her look--told a great deal.
She was grave without being sad. It was a sort of gentle gravity, that
seemed to proceed more from a calm, even disposition than from any
grief or sorrow; and when she smiled, there was a ray of pure, warm
light came beaming from her eyes, and said that there was much
unextinguished within. They were as fine eyes, too, as ever I beheld.
Yet she was not handsome; though, if I were to go on with the
description, perhaps I should make her out a perfect beauty, for I
saw nothing but the expression, and that was beautiful. I could draw
her character, I am sure, and would not be mistaken in a single
line; for her voice was exactly like her eyes, and when the two go
together one cannot be deceived; there was a mild elegance in it
that was never harsh, though sometimes it rose a little, and
sometimes fell, and gave more melody to the French tongue than ever
I had heard before.
Public-domain text, read in full here on John Shaqi.
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