The Desultory Man: Collection of Ancient and Modern British Novels and Romances. Vol. CXLVII.James, G. P. R. (George Payne Rainsford)
General
The Desultory Man: Collection of Ancient and Modern British Novels and Romances. Vol. CXLVII.
James, G. P. R. (George Payne Rainsford)
Fiction
Two days after our first arrival in this little capital of the Basses
Pyrenees, we strolled down into a valley below the town, and loitered
along by the banks of the river, seeing several groups pass us,
knowing no one, and known of none, and perhaps not wishing a little to
place ourselves in the midst of some of them, and have our share of
the conversation of Pau as well as the rest. At length, however, a
party came near, and I began to have a strange undefined remembrance
of the form of one of the persons composing it. I was not wrong, I had
known her just before she left school; there was all the change from
an interesting girl to a lovely young woman; but it was the same
person, and she had not forgotten me either. We were kindly greeted,
and quickly became no longer strange even with the rest of the party.
To know them was to have the highest regard for them all. We were glad
to seek their acquaintance, and acquaintance soon ripened into
friendship. Within their little circle we found all that could be
desired--talents, and grace, and cheerfulness, and nature, and in
their society we had some of the happiest hours we met with on the
continent.
Whether my companion had told tales of my rhyming propensities, or
whether I had been my own accuser, I forget: but I was soon called
upon for verses, and drawings. I agreed to contribute if others would
do so too; and we once more drew a magic circle round us in which the
spirit of poetry and romance rose up and whiled away many an hour at
our bidding. Some of the pieces which I myself contributed I know were
bad enough, I was sorry that I had written them; but I now only
remember one or two--the rest of the tales and anecdotes were given by
others. The first thing of the kind which I shall transcribe was
occasioned by a lady accusing me of having composed nothing for her--I
asked for a subject, but she replied that I must choose one myself,
she would give me "nothing."
---------------
NOTHING.
'O quantum est in rebus inane!'
'Tis nothing all--our hopes our fears,
Our pleasure's smiles, our sorrow's tears,
Our dreams of pride, our thoughts of care,
Are lighter, emptier than air.
'Tis nothing all--the splendid earth,
The boons of art's, or Nature's birth,
With all that memory recalls,
From nothing rose--to nothing falls.
The emmet Man toils on in vain
To monument his hours of pain,
While giant Time pursues his way,
And marks his footsteps with decay;
Tracing on all that he destroys
The epitaph of man's short joys,
The sentence of the great and small,
The certainty--'tis nothing all.
'Tis nothing all--the mighty man
Who conquer'd realms and world's o'erran;
What is he now? Himself? his fame?
A heap of dust--an empty name.
Public-domain text, read in full here on John Shaqi.
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