The Desultory Man: Collection of Ancient and Modern British Novels and Romances. Vol. CXLVII.James, G. P. R. (George Payne Rainsford)
General
The Desultory Man: Collection of Ancient and Modern British Novels and Romances. Vol. CXLVII.
James, G. P. R. (George Payne Rainsford)
Fiction
All was peace. Many a century of decaying years had swept over the
proud fabric of the Roman Empire and what had been mighty was now
hastening towards a name. The men who had conquered a world, mouldered
in the dust; and their children were contented to enjoy. The arms
which should have wielded the sword, or braced on the shield, now only
raised the cup, or struck the lyre. Voices which, in former days,
would have breathed the soul of freedom to the swelling hearts of a
mighty people, or pleaded for the laws before that senate which should
have been immortal, now sung the loose and ribald song, in The halls
of luxury and the resorts of intemperance, or urged some vain and
subtle theme, in schools that had become schools of folly. Honour was
no longer to the brave, or to the good; and, though peace spread over
the whole eastern realm, it was peace bought by tributary gold; won by
degradation, and spent in effeminacy, indulgence, and vice.
One small city alone, of the whole empire, still held within its walls
the nobler spirit of Rome's ancient days. One small city alone, like
an altar to some sublime but nearly forgotten deity, upheld the flame
of virtuous courage--simple, grand, noble, independent--enjoyed the
smile of peace, but feared not the frown of war, reposed without
softness, and rejoiced without debauchery. That city was Azimantium.
Its youth, trained to the nobler amusements, only descended from the
free mountain-air of their sky-surrounded dwelling to war with the wild
beasts of the forests around, or to chase the swift deer over the
Thracian plains. Such were their sports of peace; and if a lingering
influence of the genius-breathing climate taught the Pentelican marble
to start into life, woke the Achaian flute, or struck the Teian lyre,
the godlike spirit of a purer age gave fire to the song, and vigour to
the statue.
The mighty and majestic scenes amidst which they beat, raised and
dignified the hearts of Azimantium; and though the passions of
humanity were there in all their force, the better soul, the nobler
purpose of the mind, linked those passions to all that is grand and
dignified in nature. The aspirations of the spirit, and the desires of
the body, were not waging the horrific struggle mutually to destroy
each other; but, joined together in thrilling fellowship, like the
immortal twins of Laconia, they strove alone to guide and elevate each
other. Love dwelt in Azimantium; but it was that brighter love,
wherein the radiant share of the deathless soul infests the earthly
portion with a blaze of light.
Public-domain text, read in full here on John Shaqi.
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