The Desultory Man: Collection of Ancient and Modern British Novels and Romances. Vol. CXLVII.James, G. P. R. (George Payne Rainsford)
General
The Desultory Man: Collection of Ancient and Modern British Novels and Romances. Vol. CXLVII.
James, G. P. R. (George Payne Rainsford)
Fiction
Such was the tale of our new acquaintance, nearly in his own words;
but as he spoke rapidly and fluently, the time it occupied in telling
was not, or at least did not seem, long. We felt that he had a good
right to call upon us for a return, and finding myself, as usual, when
I wish to recollect a good story, totally bankrupt of memory, I turned
to the friend who had accompanied me from England--a gentleman in
every sense of the word, a man of refined taste and excellent heart. I
was very sure that, if he could so far conquer his laziness as to
begin, whatever he told would prove interesting; but idleness was
predominant, and he was endeavouring to push back the burden to my
shoulders, when Monsieur Petit, who seemed to divine the spirit which
held us so long together, glided into the room, and told us, that if
we were curious in wine, he had some Burgundy so perfect in its kind
that he would beg us just to try it.
We nodded the universal head; and while our worthy host was producing
his nectar, my friend, stimulated by the very anticipation, gave me
one reproachful look for stirring him from his repose, and said,
"Well, well, since it must be so, I will try if I can remember a story
I once heard of our own country, and give you _Two Scenes from the
Civil Wars_."
TWO SCENES FROM THE CIVIL WARS.
SCENE I.
It was late on the night of an early day in spring--perhaps about two
hours past midnight--and yet the inhabitants of a small lonely
dwelling on the edge of a large piece of common-ground, lying about
ten miles from Farringdon House, were all awake and up, and, with
anxious eyes, gazing from the small long windows upon the blank
darkness that hung over the world. A single candle stood upon a plain
oaken table in the midst of the room, by the light of which might be
seen, at one of the windows, a small finely-formed female figure,
which still preserved all the lines of exquisite beauty, though a
certain degree of stiffness, corresponding well with some deep
wrinkles on the cheek, and with the white hair that was braided from
the forehead, spoke the passing of many years under the petrifying
power of Time, since that form had been in its prime, and the beauty,
which still lingered, had known its first expansion. Leaning over her
shoulder was a second figure so like the first--but with every grace
which time had nipped in the other, just blown; with the cheek
unwithered, and the brow unseared--that it seemed a living picture of
what the other had been some twenty years before--a portrait in a
family picture-gallery, where human loveliness may see and moralize on
all the graces that the eternal reaper has gathered as he flew.
Public-domain text, read in full here on John Shaqi.
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