His language is barely intelligible, but there is a pleasant breadth about his drawing--for example, of the king's meadow and the grotto in _Aramena_: Very cold crystal streams flowed through the fields and ran softly over the stony ground, making a pleasant murmur. Whilst the ear was thus contented, a distant landscape delighted the eye. No more delightful place, possessing all this at once, could have been found, etc. Looking through the numerous air-holes, the eye lost itself in a deep valley, surrounded by nothing but mountains, where the shepherds tended their flocks, and one heard their flutes multiplied by the echo in the most delightful way. Mawkish shepherd play is mixed here with such verses as (Rahel): Thou, Chabras, thou art the dear stream, where Jacob's mouth gave me the first kiss. Thou, clear brook, often bearest away the passionate words of my son of Isaac ... on many a bit of wounded bark, the writing of my wounds is to be found. The most insipid pastoral nonsense of the time was produced by the Nuremberg poets, the Pegnitz shepherds Klaj and Harsdörfer. Their strength lay in imitating the sounds of Nature, and they were much admired. What is still more astonishing, Lohenstein's writings were the model for thirty years, and it was the fashion for any one who wrote more simply to apologize for being unable to reach the level of so great a master! To us the bombast, artificiality, and hidden sensuality of his poetry and Hoffmannswaldan's, are equally repulsive. What dreary, manufactured stuff this is from Lohenstein's _Praise of Roses sung by the Sun_[17]: This is the queen of flowers and plants, The bride of heaven, world's treasure, child of stars! For whom love sighs, and I myself, the sun, do pant, Because her crown is golden, and her leaves are velvet, Her foot and stylus emerald, her brilliance shames the ruby. Other beings possess only single beauties, Nature has made the rose beautiful with all at once. She is ashamed, and blushes Because she sees all the other flowers stand ashamed before her. In _Rose Love_ he finds the reflection of love in everything: In whom does not Love's spirit plant his flame? One sees the oil of love burn in the starry lamps, That pleasant light can nothing be but love, For which the dew from Phoebus' veil doth fall. Heaven loves the beauteous globe of earth, And gazes down on her by night with thousand eyes; While earth to please the heaven Doth clover, lilies, tulips in her green hair twine, The elm and vine stock intertwine, The ivy circles round the almond trees, And weeps salt tears when they are forced apart. And where the flowers burn with glow of Love, It is the rose that shews the brightest flame, For is the rose not of all flowers the queen, The wondrous beauty child of sun and earth?