The Development of the Feeling for Nature in the Middle Ages and Modern TimesBiese, Alfred
History
The Development of the Feeling for Nature in the Middle Ages and Modern Times
Biese, Alfred
Nature; Nature in literature
It was only after the widening of thoroughfares, the invention of
steamboats (the first was on the Weser 1827) and railways (1835),
that travelling became commoner and more popular, and feeling for
Nature was thereby increased.
After the Swiss Alps had been discovered for them, people began to
feel interest in their native mountains; Zimmermann led the way with
his observations on a journey in the Harz 1775, and Gatterer in 1785
published _A Guide to Travelling in the Harz_ in five volumes.
In 1806 appeared Nicolas's _Guide to Switzerland_, in 1777 J.T.
Volkmar's _Journey to the Riesengebirge_, and before long each little
country and province, be it Weimar, Mecklenburg, or the Mark, had
discovered a Switzerland within its own boundaries, with mountains as
much like the Swiss Alps as a charming little girl is like a giant.
It was the opening of men's eyes to the charms of romantic scenery at
home.
The Isle of Rügen too, Swedish at that time, with its striking
contrasts of deep blue bays and inlets, chalk rocks and beech woods,
came into fashion with lovers of Nature, especially after the road
from Sagard to Stubbenkamer had been improved[17]--so much so, in
fact, that in 1805 Grümbke was complaining that many people only went
there to feast, not to enjoy the scene:
You know I am no foe to pleasure, and appreciate my food and
drink after physical exertion as much as any one; but it is
desecration to make that the main object here. In this dreadfully
beautiful wilderness, under these green corridors of beeches, on
the battlements of this great dazzling temple, before this huge
azure mirror of the sea, only high and serious thoughts should
find a place--the whole scene, stamped as it is with majesty and
mystery, seems designed to attract the mind to the hidden life of
the unending world around it. For this, solitude and rest are
necessary conditions, hence one must visit Stubbenkamer either
alone or with intimate and congenial friends.
CHAPTER XII
THE UNIVERSAL PANTHEISTIC FEELING OF
MODERN TIMES
Public-domain text, read in full here on John Shaqi.
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