I sat in a low vaulted room. The roof was of ancient brickwork, but the walls were draped with exquisite Chinese fabric having a green ground whereon was a design representing a grotesque procession of white peacocks. A green carpet covered the floor, and the whole of the furniture was of the same material as the chair to which I was strapped, viz. ebony inlaid with ivory. This furniture was scanty. There was a heavy table in one corner of the dungeonesque place, on which were a number of books and papers. Before this table was a high-backed, heavily carven chair. A smaller table stood upon the right of the only visible opening, a low door partially draped with bead-work curtains, above which hung a silver lamp. On this smaller table, a stick of incense, in a silver holder, sent up a pencil of vapour into the air, and the chamber was loaded with the sickly sweet fumes. A faint haze from the incense-stick hovered up under the roof. In the high-backed chair sat Dr. Fu Manchu, wearing a green robe upon which was embroidered a design, the subject of which at first glance was not perceptible, but which presently I made out to be a huge white peacock. He wore a little cap perched upon the dome of his amazing skull, and one clawish hand resting upon the ebony of the table, he sat slightly turned toward me, his emotionless face a mask of incredible evil. In spite of, or because of, the high intellect written upon it, the face of Dr. Fu-Manchu was more utterly repellent than any I have ever known, and the green eyes, eyes green as those of a cat in the darkness, which sometimes burnt like witch-lamps, and sometimes were horribly filmed like nothing human or imaginable, might have mirrored not a soul, but an emanation of Hell, incarnate in this gaunt, high-shouldered body. Stretched flat upon the floor lay Nayland Smith, partially stripped, his arms thrown back over his head and his wrists chained to a stout iron staple attached to the wall; he was fully conscious and staring intently at the Chinese doctor. His bare ankles also were manacled, and fixed to a second chain, which quivered tautly across the green carpet and passed out through the doorway, being attached to something beyond the curtain, and invisible to me from where I sat. Fu-Manchu was now silent. I could hear Smith's heavy breathing and hear my watch ticking in my pocket. I suddenly realized that although my body was lashed to the ebony chair, my hands and arms were free. Next, looking dazedly about me, my attention was drawn to a heavy sword which stood hilt upward against the wall within reach of my hand. It was a magnificent piece, of Japanese workmanship; a long, curved Damascened blade having a double-handed hilt of steel, inlaid with gold, and resembling fine Kuft work. A host of possibilities swept through my mind. Then I perceived that the sword was attached to the wall by a thin steel chain some five feet in length.