The devil in a nunnery, and other mediaeval talesMann, Francis Oscar
History
The devil in a nunnery, and other mediaeval tales
Mann, Francis Oscar
England -- History -- Middle Ages, 500-1500 -- Fiction; Short stories, English
‘Good Master Will,’ whined Master Mark, ‘we do indeed pray hourly
and daily to the Blessed Virgin and all Saints to intercede for us,
miserable sinners. But thou art a good, kindly man, and perchance in
this case more powerful than they, and we would ask thee, we would
entreat thee, to take down--of course for a payment--for a good
substantial sum--to take down these carven figures, that we may worship
in the Church again like good Christian men, as we did heretofore.’
‘Holy Saints of God, and wouldst thou have the artist destroy his
artistry, desecrate the Blessed Church and meddle with the wrath of
God? Blessed Mary forbid.’
‘Nay, nay, we would not have thee destroy thy work, which is indeed
exceeding rare and cunning, but only to remove it from its present
place, so that we might go to Mass in safety. Doubtless if thou take
it down, thou couldst sell it again at great profit. Besides, good
Master William, remember that it hath been defaced already with the
fall of Master Matthew’s stone, and with each one of us that crosses
the threshold of the porch, it will deface itself more, until it be
entirely destroyed, and that with lamentable shedding of blood.’
‘Of a surety, Master Mark, each stone will have its man.’
‘Ah, Master William, have mercy upon us broken men. We will pay thee, I
warrant thee, if thou wilt but remove them, and that right liberally.’
William lit a taper at the fire, and going to his workshop door, flung
it open. He peered within, holding the taper high above his head so
that the light fell on the shattered image of Master Matthew struggling
in the hands of the demons.
‘’Tis piteously shattered,’ he thought, ‘I doubt beyond redemption.
Lo, the old man is dead now and doubtless in Hell; I should be loath to
set his figure up again thus. Yet without it my work is defaced, yea,
and every Apostle that ventures into Church will deface it more.’
Then his eye fell on certain parchments, whereon he had but yesterday
sketched out a fair design and had sighed to himself to think that
there was no other porch like that at the Abbey Church to ornament. He
had thought that, were it to be done again, he would do it thus, and
better so. He turned to Master Mark, who watched him with cunning eyes
like a pig’s.
‘And what wilt thou pay me for taking down the carvings?’ he asked.
‘Marry,’ cried Mark joyfully, ‘we are no skinflints, good sir; we are
honest men and will pay. For each stone thou removest we will give thee
ten crowns.’
‘Ten crowns. Thou jestest, my gentle usurer. Hast thou bethought that
the carvings have not only to be removed but also to be replaced by
others as beautiful? Thou hast best home again.’
‘Oh Mary, ten crowns. Wilt thou not take ten crowns? Oh, the hard
hearts of men. Not ten crowns? Nay then, fifteen. Nay? Not fifteen?
Then twenty, twenty crowns; say twenty crowns for each stone, Master
William, eleven twenties, two hundred and twenty crowns in all, or say
two hundred, two hundred in all.’
Public-domain text, read in full here on John Shaqi.
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