The devil in a nunnery, and other mediaeval talesMann, Francis Oscar
History
The devil in a nunnery, and other mediaeval tales
Mann, Francis Oscar
England -- History -- Middle Ages, 500-1500 -- Fiction; Short stories, English
‘The sewer led the minstrel before the dais and left him trembling
there before the Lord. The Lord of Beaumont was as huge as an ox, and
held his two fists clenched on the table before him as though he were
an angered. His broad bearded face was like a fire, and his fierce
bloodshot eyes rolled evilly round the hall. But as for his leman, not
Helen nor Guinivere, long since dead, but ever famous for excellent
beauty, could well compare with her, so wanton, so white, so debonair.
I ween she was well fitted to draw the hearts of all men unto her. Folk
who had gazed on her might say “I have seen the fairest of created
flesh.”
‘“What, thou starveling,” cried the Lord, “art thou come hither to make
us merry; methought thou wert a skeleton from the graveyard, walking at
noonday.”
‘Then he called to his musicians, who sat with their trumpets, nakers,
and cymbals in their hands, smiling disdainfully, “Look, ye knaves,
here is a fellow come to teach you your trade. He can many a merry note
and jolly stave, he can many a wanton song and sly ballad. God’s foot,
I see it in his cunning eye, though to look at his lean ribs a man
might not think it.”
‘The guests in the hall laughed loudly at their Lord’s mirth.
‘“If he cannot make good mirth,” quoth the lady in a hard cruel voice,
“it were best he were whipped till the blood come, for his lantern
chaps and staring eyes. Ugh, my gorge rises to look on the fellow; he
looks worse than a spitted lark and smells of death.”
‘One of the musicians rose from his place beside the dais and went and
whispered in the Lord’s ear. The Lord laughed hoarsely. “God’s fist,”
he said, “’tis a good jest, let it be done.”
‘Whereupon the musician approached the minstrel.
‘“Good Master Minstrel,” quoth he with cunning pleasantry, “what rare
instrument hast thou in thy hands? Blessed Virgin, ’tis no wonder thou
claspest it so closely to thy bosom. And what an excellent piece of
work is thy bow! Verily I believe they must have been Apollo’s, the god
of music’s. Prithee let me and my poor fellows behold it more closely.”
‘The minstrel did not answer, but held his fiddle the more tightly to
him, shrinking away.
‘“Nay, for courtesy’s sake,” said the musician.
‘“God’s eyes, thou wert best, thou scarecrow,” thundered the Lord from
the dais.
‘In great dread the minstrel released his hold upon the fiddle; his
hands fell awkwardly by his sides; he gazed foolishly at the floor. The
musician took the instrument and the bow and passed them round among
his fellows. Many were the mocking commendations they made upon it,
but at the last they returned it to him with satirical compliments and
courtesy.
‘“Play,” cried the Lord,--“Play, for thy hide’s sake, minstrel,” and he
thumped the board again.
Public-domain text, read in full here on John Shaqi.
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