Fraud is a character in Robert Wilson’s _The Three Ladies of London_, printed 1584, and _The Three Lords and Three Ladies of London_, c 1588, printed 1590. Covetousness appears in _Robin Conscience_, c 1530, and is applied to one of the characters in _The Staple of News_, _Wks._ 5. 216. Vanity is one of the characters in _Lusty Juventus_ (see note 1. 1. 50) and in _Contention between Liberality and Prodigality_, printed 1602 (_O. Pl._ 4th ed., 8. 328). She seems to have been a favorite with the later dramatists, and is frequently mentioned (_I Henry IV._ 2. 4; _Lear_ 2. 2; _Jew of Malta_ 2. 3, Marlowe’s _Wks._ 2. 45). Jonson speaks of her again in _The Fox_, _Wks._ 3. 218. For Iniquity see Introduction, p. xxxviii. The change in punctuation (see variants), as well as that two lines below, was first suggested by Upton in a note appended to his _Critical Observations on Shakespeare_. Whalley silently adopted the reading in both cases. =1. 1. 43 I’ll call him hither.= See variants. Coleridge, _Notes_, p. 280, says: ‘That is, against all probability, and with a (for Jonson) impossible violation of character. The words plainly belong to Pug, and mark at once his simpleness and his impatience.’ Cunningham says that he arrived independently at the same conclusion, and points out that it is plain from Iniquity’s opening speech that _he_ understood the words to be Pug’s. =1. 1. 49 thy dagger.= See note 1. 1. 85. =1. 1. 50 lusty Iuuentus.= The morality-play of _Lusty Juventus_ was written by R. Wever about 1550. It ‘breathes the spirit of the dogmatic reformation of the Protector Somerset,’ but ‘in spite of its abundant theology it is neither ill written, nor ill constructed’ (Ward, _Eng. Drama_ 1. 125). It seems to have been very popular, and the expression ‘a lusty Juventus’ became proverbial. It is used as early as 1582 by Stanyhurst, _Aeneis_ 2 (Arber). 64 and as late as Heywood’s _Wise Woman of Hogsdon_ (c 1638), where a gallant is apostrophised as Lusty Juventus (Act 4). (See Nares and _NED_.) Portions of the play had been revived not many years before this within the tragedy of _Thomas More_ (1590, acc. to Fleay 1596) under the title of _The Mariage of Witt and Wisedome_. ‘By dogs precyous woundes’ is one of the oaths used by Lusty Juventus in the old play, and may be the ‘Gogs-nownes’ referred to here (_O. Pl._, 4th ed., 2. 84). ‘Gogs nowns’ is used several times in _Like will to Like_ (_O. Pl._, 4th ed., 3. 327, 331, etc.). =1. 1. 51 In a cloake to thy heele.= See note 1. 1. 85. =1. 1. 51 a hat like a pent-house.= ‘When they haue walkt thorow the streetes, weare their hats ore their eye-browes, like pollitick penthouses, which commonly make the shop of a Mercer, or a Linnen Draper, as dark as a roome in Bedlam.’ Dekker, _West-ward Hoe_, _Wks._ 2. 286. With your hat penthouse-like o’er the slope of your eyes. --_Love’s Labour’s Lost_ 3. 1. 17.