=2. 7. 4 She shall no more be buz’d at.= The metaphor is carried out in the words that follow, _sweet meates_ 5, _hum_ 6, _flye-blowne_ 7. ‘Fly-blown’ was a rather common term of opprobrium. Cf. Dekker, _Satiromastix_, _Wks._ 1. 195: ‘Shal distaste euery vnsalted line, in their fly-blowne Comedies.’ Jonson is very fond of this metaphor, and presses it beyond all endurance in _New Inn_, Act 2. Sc. 2, _Wks._ 5. 344, 5, etc. =2. 7. 13 I am resolu’d on’t, Sir.= See variants. Gifford points out the quibble on the word _resolved_. See Gloss. =2. 7. 17 O! I could shoote mine eyes at him.= Cf. _Fox_, _Wks._ 3. 305: ‘That I could shoot mine eyes at him, like gun-stones!’ =2. 7. 22.= See variants. The _the_ is probably absorbed by the preceding dental. Cf. 5. 7. 9. =2. 7. 33 fine pac’d huishers.= See note 4. 4. 201. =2. 7. 38 turn’d my good affection.= ‘Not diverted or changed its course; but, as appears from what follows, soured it. The word is used in a similar sense by Shakespeare: Has friendship such a faint and _milky_ heart, It turns in less than two nights! _Timon_, 3. 2.’--G. =2. 8. 9, 10 That was your bed-fellow.= Ingine, perhaps in anticipation of Fitzdottrel’s advancement, employs a term usually applied to the nobility. Cf. _K. Henry V._ 2. 2. 8: Nay, but the man that was his bedfellow, Whom he had cloy’d and grac’d with princely favors. Steevens in a note on the passage points out that the familiar appellation of _bedfellow_, which appears strange to us, was common among the ancient nobility.’ He quotes from _A Knack to know a Knave_, 1594; _Look about you_, 1600; _Cynthia’s Revenge_, 1613; etc., where the expression is used in the sense of ‘intimate companion’ and applied to nobles. Jonson uses the term _chamberfellow_ in _Underwoods_, _Wks._ 8. 353. =2. 8. 20 An Academy.= With this passage compare _U._ 62, _Wks._ 8. 412: --There is up of late The Academy, where the gallants meet-- What! to make legs? yes, and to smell most sweet: All that they do at plays. O but first here They learn and study; and then practice there. Jonson again refers to ‘the Academies’ (apparently schools of deportment or dancing schools) in 3. 5. 33. =2. 8. 33 Oracle-Foreman.= See note 1. 2. 2. =2. 8. 59 any thing takes this dottrel.= See note 2. 2. 49-50. =2. 8. 64 Dicke Robinson.= Collier says: ‘This player may have been an original actor in some of Shakespeare’s later dramas, and he just outlived the complete and final suppression of the stage.’ His death and the date at which it occurred have been matters of dispute.