The Devil's Elixir, Vol. 1 (of 2)Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Science
The Devil's Elixir, Vol. 1 (of 2)
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Devil -- Fiction; Fantasy fiction, German -- Translations into English; Gothic fiction; Monks -- Fiction
Already on the point of leaving me, the Prince turned round, and asked,
"With whom have I been speaking?"--I answered that my name was Leonard;
that I lived as a literary man, _particulier_; for the rest, I was by no
means a _nobile_, nor a man of rank; and, therefore, perhaps did not
dare to make use of the advantages which his highness had thus offered
to me.
"What the devil," said he, "has nobility to do with it? You are, as I
have clearly convinced myself, a very ingenious and well-informed man.
Literature, science, and the arts, confer on you nobility, and render
you fully qualified to appear in our circles. Adieu, Mr Leonard!--_Au
revoir!_"
CHAPTER XXVI.
Thus my wishes were far more readily, and more early than I could have
expected, fulfilled. For the first time in my life I should appear as a
courtier. All the absurd stories, therefore, which I had read in
romances, of cabals, quarrels, intrigues, and conspiracies, floated
through my brain. According to the most received authorities among novel
writers, the Prince must be surrounded and blindly led by all sorts of
impostors; especially, too, the Court-Marshal must be an insipid, proud,
high-born coxcomb; the Prime Minister a malicious, miserly villain; the
lords in waiting gay and unprincipled libertines. Every countenance must
artificially wear the most agreeable expression, while in the heart all
is selfishness and deception. In society they (the courtiers) must
profess to each other the most unbounded friendship and attachment. They
must bend to the very earth in apparent humility, while every one
endeavours to trip up his neighbour's heels in the dark, so that he may
fall unpitied, and his pretended friend come into his place, which he
may keep only till some one else plays off the same manoeuvre against
him. Finally, the court ladies must be ugly, proud, revengeful;
glistening with diamonds, nodding with feathers, painted up to the eyes,
but withal, amorous, constantly engaged in venal intrigues, and laying
snares for the unwary stranger, which he must fly from as he would from
the devil.
Such was the absurd picture which, from the books I had read at college,
had remained vividly on my recollection. The conversation of the Prior,
indeed, might have afforded me more rational ideas; still it seemed to
me that a court must be the sphere, of all others, where the Arch-Enemy
of mankind exerted his pre-eminent and unresisted dominion. Hence it was
not without timidity that I looked forward to my promised introduction;
but an inward conviction, that _here_ my lot in life was finally to be
decided, and the veil of mystery withdrawn, drove me still onwards, so
that, at the appointed hour, with a palpitating heart, but struggling
as manfully as I could with my disquietude, I found myself in the outer
hall of the palace.
Public-domain text, read in full here on John Shaqi.
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