The Devil's Elixir, Vol. 1 (of 2)Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Science
The Devil's Elixir, Vol. 1 (of 2)
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Devil -- Fiction; Fantasy fiction, German -- Translations into English; Gothic fiction; Monks -- Fiction
"On the other hand, the painter, who, as I have mentioned before, had
also accompanied the Duke from Italy, and who at first had been so shy
and reserved, that he was almost invisible, now made his appearance very
frequently in society, and laboured with great success and industry in
a large room, which the Italian Countess had fitted up for him in her
house, and where he took many portraits of her and of others, with
matchless fidelity and strength of expression.
"To the reigning Princess, meanwhile, he seemed to cherish a decided
aversion. He absolutely refused to paint her portrait, while, at the
same time, of her unmarried sister he took a most perfect likeness,
without her having allowed him a single sitting. Many other strange
stories are told of this painter's capricious and unaccountable conduct,
which I do not think it necessary to detail. Suffice it to say, that
though for the most part employed sedulously in his own profession, he
seemed to be utterly careless of what others said or thought of his
productions. One day, however, when the Duke had made some remarks which
did not suit with the stranger's particular humour, an irreconcilable
and violent quarrel took place betwixt them; and the artist only
requested, that, before retiring from the court, he might be allowed to
bestow some finishing touches on a favourite picture of the Italian
lady, which he was then painting for his patron. This being agreed to,
by two or three masterly strokes of his pencil, he converted in a few
seconds the countenance which had been so beautiful, into the most
hideous monster of deformity, on which no one could bear to look. Then,
with the words, 'Now art thou for ever lost,' he slowly and solemnly
left the apartment.
"This happened when the Italian Princess was already become the
betrothed bride of the Duke, and the marriage was appointed to take
place in a few days. As to the painter's strange conduct, less notice
was taken of it, as he was, by prevalent report, liable frequently to
madness. He returned, as it was said, to his own small and confined
apartments, where he sat staring at a great piece of stretched canvass,
without, as the by-standers believed, making any progress, though he
himself said that he was engaged on magnificent works. So he completely
forgot his attendance at court, and was himself forgotten.
"The marriage of the Duke with the Italian lady, was solemnly celebrated
in the palace. The reigning Princess had, of course, accommodated
herself to circumstances, and if she really loved her brother-in-law,
had renounced a passion which was without legitimate object, and which
never could have been gratified.
"Her unmarried sister once more seemed in high spirits, for her lover,
Francesco, now re-appeared at court, more blooming and joyous than ever.
Public-domain text, read in full here on John Shaqi.
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