The Devil's Elixir, Vol. 1 (of 2)Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Science
The Devil's Elixir, Vol. 1 (of 2)
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Devil -- Fiction; Fantasy fiction, German -- Translations into English; Gothic fiction; Monks -- Fiction
After a short interval, however, the stranger appeared to take no
particular notice of me, but, turning his looks another way, continued
the conversation in which he had been engaged at my entrance. The party
began, at length, to speak of his own works, and bestowed especial
praise on the portrait of Aurelia. Some one among them maintained, that,
although this picture was, even at first sight, evidently a portrait,
yet it might serve for an imaginative study, and be taken for the _beau_
(or _belle_) _ideal_ of a female saint. As I had, on the preceding
evening, been so eloquent in praise of this work, they now asked my
opinion, and, almost unconsciously, I said that I coincided with the
last speaker, and that I could not imagine to myself the blessed St
Rosalia otherwise than as a counterpart of the female here represented.
The painter seemed scarcely to notice my words, but again broke
in--"Indeed, that young lady, whom the portrait, whatever may be its
merit as a work of art, very faithfully resembles, is a real and
immaculate saint--who, in the spiritual combat, exalts herself even to
supernatural excellence. I have painted her at the moment when, under
the influence of the most overwhelming griefs, she yet placed her hope
and trust in religious consolation,--in the aid of that Divine
Providence which unceasingly watches over us.
"The expression of this hope, which, in a perfect degree, can dwell only
in a mind elevated above all that is terrestrial, I have endeavoured to
give to my picture--I cannot flatter myself that I have adequately
succeeded, but the principle, '_in magnis voluisse_,' seems to me to
have rendered it at least one of the most tolerable of my productions."
The conversation now wandered away to other subjects.--The wine, which
to-day, in honour of the stranger-guest, was of a better sort, and drunk
more freely than usual, soon did its good office in enlivening the
party--Every one of them at last found something diverting to relate, or
some comical song to sing. The painter, meanwhile, seemed only to laugh
inwardly. If any change was produced in his countenance, it was to be
observed in his eyes, which were lighted up occasionally with a certain
mysterious lustre,--yet, by means of a few striking and powerful words
occasionally thrown in, he was able to play his part, and to keep the
whole company in admirable good humour.
Public-domain text, read in full here on John Shaqi.
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