The Devil's Elixir, Vol. 1 (of 2)Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Science
The Devil's Elixir, Vol. 1 (of 2)
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Devil -- Fiction; Fantasy fiction, German -- Translations into English; Gothic fiction; Monks -- Fiction
I had not deceived myself; for we had not persevered in our laborious
progress above a few minutes longer, before I distinctly heard the
dogs' voices; and in due time we came to an opening in the wood, where
the road became more passable. At last we arrived at a large
respectable-looking house, though, as far as the dim light enabled us to
perceive, old, gloomy, and surrounded by the high walls of a
regularly-built square court.
The postilion, without hesitation, knocked loudly at the outer gate. The
dogs immediately grew outrageous, and sprang out from their kennels
against us. In the house, (or _keep_,) however, all remained quiet and
dead, till the postilion had recourse to his horn, (lending me a spare
one, that we might play a duet,) and blew "Wilhelmus von Nassau" with
such vehemence, that the old vaulted building re-echoed to the notes.
Then a window in the upper story, from which I had before seen the
light, was opened, and a deep, rough voice called out, "Christian!
Christian!"--"Ay, ay, sir," cried a voice from below. Then we knocked
again, and blew our horns.
"There is a knocking and blowing of bugles at our gate," said the voice
from above, "and the dogs are raging like devils. Take the lantern
down, with the blunderbuss number three, and see what is the
matter."--Soon after, we heard Christian's voice, quieting the dogs, and
saw him at last come with the lantern.
CHAPTER XXI.
The postilion now found out where we were. Instead of going straight
forward, he had quitted the road, and driven almost in a retrograde
direction, so that we were now at the Prince von Rosenthurm's
_forst-haus_, distant only about a league to the right of the station
which we had quitted.
As soon as we had explained to Christian the mischance that we had met
with, he directly opened both wings of the gate, and let the carriage
pass into the court. The dogs, who were now pacified, came fawning and
snuffling about us; and the man above, who was still stationed at the
window, cried out incessantly, in a voice by no means of good-humour,
"Who's there?--who's there? _What for a_ caravan is that?" to which
neither Christian nor I returned a word in answer.
At last I stepped into the house, and was walking up stairs, when I met
a powerful tall man, with a sun-burnt visage, a large hat, with a plume
of green feathers, on his head, (which was oddly contrasted with the
rest of his figure, for he appeared in his shirt and slippers,) and a
drawn stiletto (or hunting dagger) in his hand. In a rough voice, he
called out to me, "Whence do you come? How dare you disturb people in
the dead of night? This is no public-house; no post station. Here no one
lives but the _Ober-revier-forster_, and for want of a better, I am he.
Christian is an ass, for having opened the gates without my permission."
Public-domain text, read in full here on John Shaqi.
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