The Devil's Elixir, Vol. 2 (of 2)Hoffmann, E. T. A. (Ernst Theodor Amadeus)
General
The Devil's Elixir, Vol. 2 (of 2)
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Devil -- Fiction; Fantasy fiction, German -- Translations into English; Gothic fiction; Monks -- Fiction
Even like the raging of a volcano was now the tempest which arose within
the heart and soul of Francesco! All the Heathen stories which he had
before painted, revived once more, in tenfold force, on his imagination,
and their _dramatis personæ_ floated around him in forms as seductive,
and colours as brilliant, as if they had been alive, and corporeally
present.--"But thou, my beloved goddess!" he exclaimed, addressing
himself to the favourite Venus whom he had so often painted--"thou must
assume also life, and a tangible form, and become mine, otherwise I
shall devote myself from henceforth to Pluto, and the subterranean
powers of darkness!"
Then he beheld, according to his distempered phantasy, the animated
figure of his admired statue, with an exquisite bloom on her complexion,
standing right before the unfinished picture, and kindly nodding towards
him.
Hereupon, seized with a sudden fit of inspiration, he started from his
couch, ran to his _easel_, and began to paint at the head of St Rosalia;
for he thought that he would now be able to make an exact copy from the
features of his Venus. It seemed to him, however, as if the firmest
efforts of volition could not command his hand--as if, in spite of all
his endeavours, the pencil glided away from the unfinished countenance
of Rosalia, to the profane figures by which the rest of the canvass was
tenanted--and the heavenly aspect of the saint, unfinished as it was,
and that came there he knew not how, always broke out more visibly and
powerfully into view, till at last the eyes seemed to move, and look
into his very soul. Finally, he was overcome with such agitation, that
he dropped his pallet and pencils, and fell to the ground as if dead, in
a state of utter despair and insensibility.
When, after a long interval, he awoke from his trance, and had with
difficulty raised himself up, he did not venture to look at the picture,
which had now become so terrific, but crawled, with his eyes fixed on
the ground, towards the table, where he still found the doctor's
extraordinary bottle of wine, out of which he indulged himself with a
long and powerful draught.
Francesco was, by this means, completely restored and energized. New
life and spirit vibrated through every limb and fibre of his frame. He
mustered up courage enough to look at his picture; and, behold! it was
now completed, even to the finest touches of the pencil which in his
best days he could have been able to bestow! But what appeared most
remarkable, was, that not the saintly countenance of Rosalia, but that
of his old favourite Venus, now smiled with the most seductive
expression and glances of love upon him.
Public-domain text, read in full here on John Shaqi.
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