The Devil's Elixir, Vol. 2 (of 2)Hoffmann, E. T. A. (Ernst Theodor Amadeus)
General
The Devil's Elixir, Vol. 2 (of 2)
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Devil -- Fiction; Fantasy fiction, German -- Translations into English; Gothic fiction; Monks -- Fiction
Into the churches also, like other mendicants, he was allowed freely to
enter; and thus it befell, that one bright and beautiful evening, though
at a late hour, when the sun had gone down, he sat staring on an
opposite empty wall, and filled it in imagination with the paintings
which his genius was yet fully competent to execute. While he sat thus
absorbed in reverie, he saw two female figures, who, silently and with
noiseless steps, approached him. Their countenances were veiled, so that
he had no perception of their features; but, with a voice that rose on
his ears like celestial music, one of them addressed to him the
following admonition:--
"In the remote land of East Prussia is the celebrated
Convent of the Holy Lime-Tree, wherein
Providence has vouchsafed to shew many miracles;
but the magnificent chapel there erected is yet
without any ornaments of painting. Go thither,
then! Let the practice of your art as a painter
become to you an exercise of devotion, and your
now desponding soul will be refreshed with heavenly
consolation!"
With these words, the two female figures melted away in a gleam of
light, and left the air filled with the fragrance of roses and lilies.
Francesco was convinced of the supernatural character of these
visitants, and resolved that he would on the following day begin his
pilgrimage. On that same evening it happened, that a servant of
Zenobio's, after much trouble, found him out, paid him two years'
arrears of his allotted income, and invited him kindly to his brother's
court.
* * * * *
Thus far the old painter had written of himself in the third person,
which, in his later memoranda, he exchanges for the first. I consider it
needless to transcribe his historical account of the various fortunes
and intricate relationships of that illegitimate race which he had
founded, and of which I am a descendant. No reader would take the
trouble of following out a detail which could scarcely be understood,
unless thrown into the form of a genealogical tree. Besides, the mind
revolts from the contemplation of enormous and complicated guilt!
Suffice it to say, that the child which had been left in the cave was
accidentally found and preserved; that a small ivory cup, which, along
with the bottle of the devil's elixir, was discovered at the same time,
bore, for an inscription, the painter's name, Francesco, by which the
boy was afterwards baptized.
Public-domain text, read in full here on John Shaqi.
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