The Devil's GardenMaxwell, W. B. (William Babington)
General
The Devil's Garden
Maxwell, W. B. (William Babington)
Fiction
At the Cross Roads he drew rein for a moment, as if undecided as to
which way to turn. Before going home he had to pay a business call,
and his destination was straight ahead of him, about four miles off as
the crow flies. The quickest way to get there, the line nearest to the
crow's line, would be to leave the road here and ride through Hadleigh
Wood, under the bare beeches, among the somber pines, along the gloomy
rides; and the alternative route would be to turn to the right, hold
to the open road, and follow its deflected course past the Abbey gates
and park, and all round the wild forest. That way would be three miles
longer than the other way. He turned his horse's head to the right;
and as he went on by the road, he was thinking of the terrible chapter
in his life that closed with the death of Mr. Barradine.
Nearly fifteen years ago; yet in all that time, although dwelling so
near to the tragic fateful wood, he had been into it only once--and
then he had gone there with the hounds and jolly loud-voiced riders,
cub-hunting, on a bright September morning. The wood symbolized
everything that he wished to forget. And he thought that if he were
really a rich man--not a poor little well-to-do trader, but a fabulous
millionaire--he'd buy all this woodland, cut down every tree, chase
away every shadow, and grow corn in the sunlight. He would buy
woodland and parkland too--he would burn Aunt Petherick's hidden
cottage, the Abbey with its inner, outer and middle courtyards, yes,
and its church also; he would burn and fell, and grub and plough, and
then plant the seeds of corn that symbolize the resurrection of life;
and the sun should shine on a wide yellow sea, with waves of hope
rippling across it as the ripened ears bowed and rose; and there
should be no trace or stain to mark the submerged slime that had held
corruption and death. Then, if he could do that, he would have nothing
to remind him of all he had gone through in the past.
Nothing to remind him?
It made no difference whether the Abbey towers and the North Ride
chimneys were visible or invisible; no screen of trees, whether
leafless as now or carrying the full weight of foliage, could really
screen them from him; they were inside him, together with all that
they had once signified, a part of himself. If he did not look at them
with introspective eyes, if he ignored their existence, if he
succeeded in not thinking of them, there was always something else,
inside him or outside him, to carry his thoughts back into the black
bad time.
Public-domain text, read in full here on John Shaqi.
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