The Devil's GardenMaxwell, W. B. (William Babington)
General
The Devil's Garden
Maxwell, W. B. (William Babington)
Fiction
His thoughts returned to Norah, and here again--here more plainly
than anywhere else--he saw the work of God. It was wonderful and
awe-inspiring how God had selected the instrument that should destroy
him. He felt that he could have resisted the charms of any other girl
in the world except this one. In mysterious ways Norah's fascination
was potent over him, while it might have been quite feeble in its
effects with regard to other men. But for Dale she represented the
solid embodiment of imagined seductiveness, allurement, supreme
feminine charm; that flicker of wild blood in her was to him an
essential attraction, and it linked itself inexplicably with the
amorous reveries of far-off days when, young and free and wild
himself, he loved the woodland glades instead of hating them.
The selected instrument--Yes, she was the one girl on earth who could
have been safely employed to achieve God's double purpose of
overwhelming him with base passion and bringing his lesson home to him
simultaneously. No other girl that ever was born could have aroused
such desire in him, and yet have slipped unscathed out of his arms at
the very moment when the consummation of his sin seemed unavoidable.
Any other girl must herself have been sacrificed in destroying him;
only the child who had frightened him in the wood could
instantaneously, by a few unconsidered words, have taken all the fire
out of him and changed his heart to a lump of ice. That was a stroke
of the Master: most Godlike in its care for the innocent and its
confusion of the guilty.
He remembered how grievously he had dreaded this child--the little
black-haired elf that had seen him hiding. It had made him shiver to
think of her--the small woodland demon, the devil's spy whose lisping
treble might be distinct and loud enough to utter his death sentence.
A thousand times he had wondered about her--thinking: "She is growing
up. She belongs here;" looking in the faces of cottagers' children and
asking himself: "Are you she? Or you? Or you?" Then he had left off
thinking about her.
She had come into his life again, into his very home, and he had never
once asked himself: "Is Norah she?" No, because God would not allow
him to do so; it had suited God's purpose to paralyze the outlet of
all natural thought in that direction. So she grew tall and strong
under his eyes--the dreaded imp of the wood eating his food, squatting
at his own fireside; changing into the imagined nymph of the wood that
he had seen only in dreams; becoming the very spirit of the wood--yes,
the wood's avenging spirit.
He moved from his recumbent position, sat up, and drew out Norah's
letter from the breast pocket of his jacket. He read her letter again,
and his sadness and despair deepened. There was no revolt now; he felt
nothing but black misery. He thought: "I used to fear that she would
be the means of my death, and now death is coming from her. This
letter is my death-warrant."
Public-domain text, read in full here on John Shaqi.
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