The Diary of a French Private: War-Imprisonment, 1914-1915Riou, Gaston
History
The Diary of a French Private: War-Imprisonment, 1914-1915
Riou, Gaston
National characteristics, German; World War, 1914-1918 -- Prisoners and prisons
No, I am in Bavaria. I am a prisoner. I am at Fort Orff, at the edge of
the Swabian forest, among gloomy villages where I know no one, where
they believe that we are slaughtering their sons with dum-dum bullets,
and that we were the aggressors. A Franconian blackguard is the man who
feeds me. Then there is a little good-for-nothing schoolmaster from Hof,
a pedant stuffed with German idealism, who appeals to honour and humanity
in season and out of season, who, having caught _flagrante delicto_ a
weaver of watch-chains snatching a few hairs from a horse’s tail, gives
him three days’ close arrest, saying gravely, “A most inhumane act”—and
it is this whipper-snapper, this round-shouldered and short-sighted
impotent beast, who is my _Feldwebel_, “my superior officer”! He is a
mean creature. Knowing that I am on good terms with von Stengel, he
begged Dutrex to present me. Dutrex did so, saying: “_Hier ist unser
Schriftsteller_ [This is our author]”—“I am much honoured, monsieur;
I have read an article on you in the _Nürnberger Zeitung_.” He bowed
and scraped again and again. He stood there, his ugly little moustache
bristling with smiles, looking as great a booby as if he had been before
the commandant. The quartermaster is a bad lot, but the _Feldwebel_ is
grotesque. And I am dependent upon the caprices of such men! I am a
thing in the hands of these contemptible fellows, these hypocrites, who
loudly voice their patriotism and boast of the German virtues, while
they are shamming rheumatism and heart-weakness to avoid being sent to
the fighting-line. Sometimes I am seized with a longing to spit out my
contempt in their very faces. Before Baron von Stengel one feels like
a man; a noble master ennobles those subject to his orders. But before
these subordinates all human nobility withers, wretched instruments who
treat us as instruments in turn. Empowered to dominate and to humiliate
us, to abuse us as much as they please, their favours are even worse than
their severities; it is the brutal landowner in Latium amusing himself
with a Græculus; it is the _Donaubauer_, the fat Danubian peasant,
caressing his dog. I prefer their hatred.
* * * * *
The good Badoy, with his huge round head, his snub nose, his little curly
beard, his large fatherly eyes, bends forward over the board, humps his
back, and clenches his fists between his short legs, saying:
“When will it come to an end?”
“Which, the game or the imprisonment?” asks Laloux quietly, as he takes
Badoy’s queen.
“How can you ask?” Then, as if speaking to himself: “Oh! my wife and my
three little ones, when shall I see them again? Still no letters! It’s
terrible.”
Public-domain text, read in full here on John Shaqi.
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