The Diary of a French Private: War-Imprisonment, 1914-1915Riou, Gaston
History
The Diary of a French Private: War-Imprisonment, 1914-1915
Riou, Gaston
National characteristics, German; World War, 1914-1918 -- Prisoners and prisons
But even Ploss has his good hours. French lightness of heart is able
from time to time to exert its charm over this hard Franconian noddle.
His surly air passes off. With a brisk gesture he pushes his greasy
_Mütze_ back over the nape of his neck. His brown tuft of hair makes
its appearance, giving him an engaging and almost sportive air. During
these calms, Davit, the Hercules cook, can with impunity seize the
quartermaster, wrestle with him, and make as if to throw him head-first
into a boiling cauldron. The paunchy cook of No. 42, when the herrings
are being distributed, can then, under Ploss’ very eyes, sneak a
good-sized “Bismarck” and stuff it into the pocket of his smock, with the
tail sticking out. But beware! The quartermaster’s ordinary temper will
suddenly return, and the prisoner with whom he has just been laughing
will find himself sentenced to three days’ cells simply for having kept
up the game for a second after the eclipse. Ploss is then capable of
making allegations likely to bring a man before a firing squad. He will
say, for example, “Prisoner X attempted to kill me by striking me on the
head with a ladle.”
* * * * *
What a wonderful thing is this French light-heartedness! Heavy-witted
northerners term it levity when they should speak of it as vitality.
These little Frenchmen! To-day you see them sad at heart. The weather is
grey; a languorous humidity prevails which seems to reduce the scale of
the landscape and to make the noises draw nearer. We hear the roar of
the trains in the plain, trains moving westwards, towards France. Those
afoot walk as in a dream; many never leave their palliasses. The men from
Provence are thinking of the sunshine; the Parisians recall the joyous
meetings of Saturday evening when work is done; the Bretons listen in
imagination to the heavy, rhythmical sound of the great surges breaking
at the foot of the native cliff. Every one has “the hump.”
Suddenly comes the sound of singing from the corridors. “They are
singing! Have the letters come?” One and all rush to be first at the
main gate, close to the _Kommandantur_, beneath the gloomy arch. There
is coming and going and much talk. “Is it true that there are lots of
letters?”—“Two or three hundred, so d’Arnoult says!”—“What luck! When
shall we get them?”—“Oh, the sorting will take some time.” The procession
to the kitchens is animated. The hope of being about to receive a letter
has eased the nervous tension.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account