The Diary of a French Private: War-Imprisonment, 1914-1915Riou, Gaston
History
The Diary of a French Private: War-Imprisonment, 1914-1915
Riou, Gaston
National characteristics, German; World War, 1914-1918 -- Prisoners and prisons
It is already ten o’clock. I shall hardly get any more work done to-day.
The “salon” is becoming a forum. My comrades are very good. They say: “I
don’t want to bother you. I’ve only just looked in to shake hands.” But
they ask for news; they give me their own; they retail the latest canard.
There is always a canard in the fort. To-day, for example, the talk
in the courtyards is that the Russians have taken Breslau. To pay the
Germans out for the famous _Paris kaput_, those of us who are least able
to speak German do not hesitate to greet the gentle Stheer, the assistant
quartermaster, with a cheerful “_Breslau kaput_.” Naturally I protest,
for the news is too utterly ridiculous. So here I am sketching a map of
the military operations. Dutrex breaks off his reading of Ibsen’s _John
Gabriel Borkmann_ to quote the latest issues of the _Münchener_. Durupt
mingles his invincible hope with the debate. It is interminable! And my
poor studies lie neglected.
I HAVE A PALLIASSE
_October 17, 1914._
When I went out at seven o’clock there was a mist. It had the same
smell, piquant and wholesome, as at Dully. The landscape was Japanese.
I could have imagined myself looking at the right-hand kakemono in the
drawing-room which gives on to the conservatory. The pretty village of
Hepperg, brought near by a curious optical illusion, was stumped out in a
long silhouette in the background, a delicate piece of filigree work seen
through the soft, silky vapour. Here and there in the foreground crows
made rich black markings. It was exquisite. There was no one else on
the parapets. I walked for some time along the northern rampart. It was
impossible to have too much of this autumn morning.
Two or three images rose to my mind. Chief of all was that of a walk in
the Bois which we made just at the last with Guite, to talk about you.
A thick mist was hovering over the lake. Invisible boats passed to and
fro. Their lanterns were like large red moons gliding softly through the
darkness. The island was illuminated; strains of music floated across to
us. We were seated near the water. Close at hand was a tree, bending over
and dipping its long locks into the lake. It recalled Hokusai’s pictures.
Next day I was to leave for Trouville.
Public-domain text, read in full here on John Shaqi.
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