Men -- Societies and clubs -- Fiction; Storytelling -- Fiction
“I have something to show you,” he remarked quietly. “But before I show
it to you, I want to tell you a very short story. Three years ago I was
in the back of beyond in Brazil. I’d got a bad dose of fever, and the
gassing I got in France wasn’t helping matters. It was touch and go
whether I pulled through or not. And one day one of the fellows got a
two-month-old _Tatler_. In that _Tatler_ was a picture—a picture of the
loveliest girl I have ever seen. I tore it out, and I propped it up at
the foot of my bed. I think I worshipped it; I certainly fell in love
with it. There is the picture.”
He handed it to her, and she looked at it in silence. It was of herself,
and after a moment or two she raised her eyes to his.
“Go on,” she said gently.
“A few months ago I came back to England. I found a seething cauldron of
discontent; men out of work—strikes—talk of revolution. And this was
the country for which a million of our best had died. I also found—week
after week—my picture girl displayed in every paper, as if no such
thing as trouble existed. She, in her motor-car, cared for none of these
things.”
“That is unjust,” said the girl, and her voice was low.
“I knew it was unjust,” answered the man, “but I couldn’t help it. And
if I couldn’t help it—I who loved her—what of these others? It seemed
symbolical to me.”
“Nero fiddling,” said the girl, with a faint smile. “You’re rather a
strange person, Mr. Brooke. Am I to understand that you’re in love with
me?”
“You are not. I’m in love with the you of that picture.”
“I see. You have set up an image. And supposing that image is a true
one.”
“Need we discuss that?” said the man, with faint sarcasm.
The girl shrugged her shoulders.
“The supposition is at least as possible as that you are doing any vast
amount of good for the seething cauldron of discontent, I think you
called it, by breeding Aberdeens in the country. I’m afraid you’re a
crank, Mr. Brooke, and not a very consistent one at that. And a crank is
to my mind synonymous with a bore.”
The man replaced the picture in his desk.
“Then perhaps we had better join Mrs. Laverton,” he remarked. “I
apologise for having wearied you.”
In silence they went out into the garden, to find Ada Laverton wandering
aimlessly round looking for them.
“Where have you two been?” she demanded, as she saw them approaching.
“Mr. Brooke has been showing me a relic of his past,” said Lady Cynthia.
“Most interesting and touching. Are you ready to go, Ada?”
Mrs. Laverton gave a quick glance at their two faces, and wondered what
had happened. Not much, surely, in so short a time—and yet with Cynthia
you never could tell. The Hermit’s face, usually so inscrutable, showed
traces of suppressed feeling; Cynthia’s was rather too expressionless.
“Are you coming to the ball to-morrow night, Hermit?” she asked.
“I didn’t know there was one on, Mrs. Laverton,” he answered.
“The cricket ball, my good man,” she exclaimed. “It’s been advertised
for the last month.”
Public-domain text, read in full here on John Shaqi.
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