Men -- Societies and clubs -- Fiction; Storytelling -- Fiction
By all known rules I should have been asleep almost as my head touched
the pillow. A day’s rough shooting, followed by bed at two in the
morning should produce that result if anything can, but in my case that
night it didn’t. Whether I had smoked too much, or what it was, I know
not, but at half-past three I gave up the attempt and switched on my
light. Then I went over, and pulling up an armchair, I sat down by the
open window. There was no moon, and the night was warm for the time of
year. Outlined against the sky the big dining-room stretched out from
the house, and, as I lit a cigarette, Jack Drage’s vague story returned
to my mind. The conspirators, meeting by stealth to hatch some sinister
plot; the sudden alarm as they found themselves surrounded; the
desperate fight against overwhelming odds—and then, the end. There
should be a story in it, I reflected; I’d get the parson to tell me the
whole thing accurately next day. The local colour seemed more
appropriate when one looked at the room from the outside, with an
occasional cloud scudding by over the big trees beyond. Savoured more of
conspiracy and death than when dining inside, with reminiscences of a
jazz band in the musicians’ gallery.
And at that moment a dim light suddenly filtered out through the
windows. It was so dim that at first I thought I had imagined it; so dim
that I switched off my own light in order to make sure. There was no
doubt about it: faint but unmistakable the reflection showed up on the
ground outside. A light had been lit in the old dining-room: therefore
someone must be in there. At four o’clock in the morning!
For a moment or two I hesitated: should I go along and rouse Jack?
Someone might have got in through the garden door, and I failed to see
why I should fight another man’s burglar in his own house. And then it
struck me it would only alarm his wife—I’d get Bill, whose room was
opposite mine.
I put on some slippers and crossed the landing to rouse him. And then I
stopped abruptly. His door was open; his room was empty. Surely it
couldn’t be he who had turned on the light below?
As noiselessly as possible I went downstairs, and turned along the
passage to the dining-room. Sure enough the door into the main part of
the house was ajar, and the light was shining through the opening. I
tiptoed up to it and looked through the crack by the hinges.
At first I could see nothing save the solitary electric light over the
portrait of Sir James. And then in the gloom beyond I saw a tall figure
standing motionless by the old oak dining-table. It was Bill—even in
the dim light I recognised that clean-cut profile; Bill clad in his
pyjamas only, with one hand stretched out in front of him, pointing. And
then, suddenly, he spoke.
“You lie, Sir Henry!—you lie!”
Public-domain text, read in full here on John Shaqi.
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