Men -- Societies and clubs -- Fiction; Storytelling -- Fiction
“But couldn’t you see them, or something, and explain?”
“My dear Miss Daventry,” said Perrison, gently, “I must ask you to be
reasonable. What can I explain? Your brother wanted money, and he
adopted a criminal method of getting it. That I am afraid—ugly as it
sounds—is all there is to it.”
“Then, Mr. Perrison—can nothing be done?” She bent forward eagerly, her
hands clasped, her lips slightly parted; and once again came that faint
noise from the end of the conservatory.
But Mr. Perrison was too engrossed to heed it this time; the nearness,
the appeal of this girl, who from the time he had first seen her six
months previously at a theatre had dominated his life, was making his
senses swim. And with it the veneer began to drop; the hairy heel began
to show, though he made a tremendous endeavour to keep himself in check.
“There is one thing,” he said, hoarsely. “And I hope you will understand
that I should not have been so precipitate—except for the urgency of
your brother’s case. If I go to Messrs. Gross and say to them that a
prosecution by them would affect me personally, I think I could persuade
them to take no further steps.”
Wonder was beginning to dawn in the girl’s eyes. “Affect you
personally?” she repeated.
“If, for instance, I could tell them that for family reasons—urgent,
strong family reasons—they would be doing me a great service by letting
matters drop, I think they would do it.”
She rose suddenly—wonder replaced by horror. She had just realised his
full meaning.
“What on earth are you talking about, Mr. Perrison?” she said,
haughtily.
And then the heel appeared in all its hairiness. “If I may tell them,”
he leered, “that I am going to marry into the family I’ll guarantee they
will do nothing more.”
“Marry you?” The biting scorn in her tone changed the leer to a snarl.
“Yes—marry me, or see your brother jugged. Money won’t save him—so
there’s no good going to your father. Money will square up the Smith
show—it won’t square the other.” And then his tone changed. “Why not,
little girl? I’m mad about you; have been ever since I saw you at a
theatre six months ago. I’m pretty well off even for these days,
and——” He came towards her, his arms outstretched, while she backed
away from him, white as a sheet. Her hands were clenched, and it was
just as she had retreated as far as she could, and the man was almost on
her, that she saw red. One hand went up; hit him—hit the brute—was her
only coherent thought. And the man, realising it, paused—an ugly look
in his eyes.
Then occurred the interruption. A strangled snort, as of a sleeper
awakening, came from behind some palms, followed by the creaking of a
chair. With a stifled curse Perrison fell back and the girl’s hand
dropped to her side as the branches parted and Archie Longworth, rubbing
his eyes, stepped into the light.
Public-domain text, read in full here on John Shaqi.
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