Men -- Societies and clubs -- Fiction; Storytelling -- Fiction
It is to be regretted that theological knowledge was not her strong
point, but Ada Laverton, her hostess, did not smile. From beneath some
marvellously long eyelashes she was watching the lovely girl lying back
in the deck-chair opposite, who was vainly trying to blow smoke rings. A
sudden wild idea had come into her brain—so wild as to be almost
laughable. But from time immemorial wild ideas anent their girl friends
have entered the brains of young married women, especially the lucky
ones who have hooked the right man. And Ada Laverton had undoubtedly
done that. She alternately bullied, cajoled, and made love to her
husband John, in a way that eminently suited that cheerful and easygoing
gentleman. He adored her quite openly and ridiculously, and she returned
the compliment just as ridiculously, even if not quite so openly.
Moreover, Cynthia Stockdale was her best friend. Before her marriage
they had been inseparable, and perhaps there was no one living who
understood Cynthia as she did. To the world at large Cynthia was merely
a much photographed and capricious beauty. Worthy mothers of daughters,
who saw her reproduced weekly in the society papers, sighed inwardly
with envy, and commented on the decadence of the aristocracy: the
daughters tore out the pictures in a vain endeavour to copy her frocks.
But it wasn’t the frocks that made Cynthia Stockdale: it was she who
made the frocks. Put her in things selected haphazard from a jumble
sale—put her in remnants discarded by the people who got it up, and she
would still have seemed the best-dressed woman in the room. It was a
gift she had—not acquired, but natural.
Lady Cynthia was twenty-five, and looked four years younger. Since the
war she had been engaged twice—once to a man in the Blues, and once to
a young and ambitious member of Parliament. Neither had lasted long, and
on the second occasion people had said unkind things. They had called
her heartless and capricious, and she had scorned to contradict them. It
mattered nothing to her what people said: if they didn’t like her they
could go away and have nothing to do with her. And since in her case it
wasn’t a pose, but the literal truth, people did not go away. Only to
Ada Laverton did she give her real confidence: only to Ada Laverton did
she show the real soul that lay below the surface.
Public-domain text, read in full here on John Shaqi.
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