The third of the causes which concurred in this slow disintegration of my Christian faith was the discovery of contemporaneous literature, which dates from my fourteenth year. I have told you that my mother, shortly after my father’s death, suppressed certain books. This severity had not relaxed with time, and the key of the paternal bookcase continued to click on the steel ring between that of the pantry and of the cellar. The most evident result of this prohibition was, to heighten the charm of the remembrance which these books had left of the half-comprehended pieces from Shakespeare, and the half-forgotten romances of George Sand. Chance willed that, at the commencement of my thirteenth year, I should come across some examples of modern poetry in the book of French authors which served for the year’s recitations. There were fragments of Lamartine, a dozen of Hugo’s pieces, the “Stances à la Malibran” of Alfred de Musset, some bits of Sainte-Beuve, and of Leconte de Lisle. These pages were sufficient to make me appreciate the absolute difference of inspiration between the modern and the ancient masters, as one can appreciate the difference of aroma between a bouquet of roses and a bouquet of lilacs, with his eyes shut. This difference, which I divine by an unreasoning instinct, resides in the fact that, until the Revolution, writers had never taken sensibility as the subject and the only rule of their works. It has been the contrary since eighty-nine. From this there results among the new writers a certain painful, ungovernable something, a search after moral and physical emotion which has become almost morbid, and which attracted me immediately. The mystical sensuality of the “Stances du Lac” and of the “Crucifix,” the changing splendors of several “Orientales,” fascinated me; but above all I was charmed at something culpable which breathes in the eloquence of “L’Espoir en Dieu” and in some fragments of the “Consolations.” I began to feel for the rest of the works of these masters that strong and almost insane curiosity which marks the middle period of adolescence. One is then on the border of life, and he hears without seeing, as it were, the murmur of a waterfall through a cluster of trees, and how this sound intoxicates him with expectation! A friendship with a comrade who lived on the first floor of our house exasperated this curiosity still more. This friend, who died young, and who was named Emile, was also an inveterate reader, but more fortunate than I, he suffered from no surveillance. His father and mother, who were already old, lived on a small income and passed the long hours of the day in playing, in front of the window which opened on the Rue de Billard, interminable games of bezique, with cards bought in a _café_ and still smelling of tobacco. Emile alone in his room, could abandon himself to all his fancies in reading.