The steeple of a village, rather of a hamlet, raises its slates above some houses with thatched roofs. It is passed. We are now in the avenue of trees which leads to the château, then before the _perron_ and immediately in the vestibule. We entered the salon. How peaceful it was, lighted by lamps with large shades, with the fire burning gayly in the chimney. The Marquise de Jussat with her daughter, was working at some knitting for the poor; my future pupil was looking over a book of engravings, as he stood against the open piano; Mlle. Charlotte’s governess and a _religieuse_ were seated, farther off, sewing. Count André was reading a paper, which he put down at the moment of our arrival. Yes, this was a peaceful place, and who could have told that my entrance would be the end of all peace for these persons who in an instant were impressed on my memory with the distinctness of portraits? I noticed first the face of the marquise, a tall and strong woman with features slightly gross, so different from what my imagination had conceived of a great lady. She was truly the model housekeeper whom the marquis had described, but a housekeeper with a finished education, and who put me at once at my ease simply by speaking of the beautiful day that we had had for our journey. I perceived the inexpressive face of Mlle. Eliza Largeyx, the governess, with its ever-approving smile; she was the innocent type of happy servility, of a life all complaisance and of material happiness. There was sister Anaclet with her peasant’s eyes and her thin mouth. She lived permanently at the château that she might serve as nurse for the marquis who was always apprehensive of a possible attack. There was little Lucien with the fat cheeks of the idle child. There, too, was the young girl, who is no more, with her beautiful form in its light dress, her gentle gray eyes, her chestnut hair, and the delicate outline of her oval face. I can still see the gesture with which she offered her hand to her father and a cup of tea to me. I hear her voice saying to the marquis: “Father, did you see how rosy the little lake was this evening?” And the voice of M. de Jussat responding between two swallows of his grog: “I saw that there was some fog in the meadows and some rheumatism in the air.” And the voice of Count André: “Yes, but what fine shooting to-morrow!” then turning to me: “Do you shoot, Monsieur Greslon?” “No, monsieur,” I answered. “Do you ride?” he asked again. “I do not.” “I pity you,” said he, laughing; “after war, these are the two greatest pleasures that I know of.”