One evening of the second week of my stay at the château, I employed
several hours in writing out a general confession, that is to say, in
drawing a picture of my diverse instincts since the first awakening
of my consciousness. I arrived at this conclusion, that the essential
trait of my nature, the characteristic of my inmost being, had always
been the faculty of duplication. That means that I had always felt
a tendency to be at once passionate and reflective, to live and to
see myself live. But by imprisoning myself, as I wished, in pure
reflection, by neglecting to live and to have only one eye open upon
life, did I not risk resembling that Amiel whose dolorous journal
appeared at that time, and sterilizing myself by the abuse of analysis
to emptiness?
In vain did your image return to me to reinforce me in my resolution to
live an abstract existence. I recall the phrases on love in the “Theory
of the Passion,” and I saw you, at my age, abandoning yourself to the
culpable experiences which already obscurely tempted me. I do not know
if this chemistry of soul, so very complex and very sincere, will seem
sufficiently lucid. The work by which an emotion is elaborated in us,
and ends by resolving itself into an idea, remains so obscure that the
idea is, sometimes, exactly contrary to that which simple reason could
have foreseen!
Would it not have been natural, for example, that the kind of admiring
antipathy roused in me by my encounter with Count André should have
ended either in a declared repulsion, or in a definite admiration? In
the first case, I should have thrown myself more into science, and
in the other, have desired a more active morality, a more practical
virility in my actions. But the natural for each one, is his own
nature. Mine willed that the admiring antipathy for the count should
become a principle of criticism, in regard to myself, that this
criticism should produce a new theory of life, that this theory should
reveal my native disposition for passional curiosity, that the whole
should dissolve itself into a nostalgia of sentimental experiences and
that, just at this moment, a young girl should enter into my life whose
presence alone would have sufficed to provoke the desire to please in
any young man of my age.
But I was too intellectual for this desire to be born in my heart
without passing through my head. At least, if I felt the charm of grace
and delicacy which emanated from this child of twenty years, I felt it
while believing that I reasoned about it. There are times when I ask
myself if it was so, times when all my history appears more simple, and
I say:
“I was honestly in love with Charlotte, because she was pretty, refined
and tender, and I was young; then I gave some pretexts of the brain
because I was a man proud of ideas and did not wish to love like other
men.”
Public-domain text, read in full here on John Shaqi.
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