The marchioness was in her boudoir: Clarence was as usual admitted; for Lady Westborough loved amusement above all things in the world, and Clarence had the art of affording it better than any young man of her acquaintance. On entering, he saw Lady Flora hastily retreating through an opposite door. She turned her face towards him for one moment: that moment was sufficient to freeze his blood: the large tears were rolling down her cheeks, which were as white as death, and the expression of those features, usually so laughing and joyous, was that of utter and ineffable despair. Lady Westborough was as lively, as bland, and as agreeable as ever: but Clarence thought he detected something restrained and embarrassed lurking beneath all the graces of her exterior manner; and the single glance he had caught of the pale and altered face of Lady Flora was not calculated to reassure his mind or animate his spirits. His visit was short; when he left the room, he lingered for a few moments in the ante-chamber in the hope of again seeing Lady Flora. While thus loitering, his ear caught the sound of Lady Westborough’s voice: “When Mr. Linden calls again, you have my orders never to admit him into this room; he will be shown into the drawing-room.” With a hasty step and a burning cheek Clarence quitted the house, and hurried, first to his solitary apartments, and thence, impatient of loneliness, to the peaceful retreat of his benefactor. CHAPTER XXXVI. A maiden’s thoughts do check my trembling hand.--DRAYTON. There is something very delightful in turning from the unquietness and agitation, the fever, the ambition, the harsh and worldly realities of man’s character to the gentle and deep recesses of woman’s more secret heart. Within her musings is a realm of haunted and fairy thought, to which the things of this turbid and troubled life have no entrance. What to her are the changes of state, the rivalries and contentions which form the staple of our existence? For her there is an intense and fond philosophy, before whose eye substances flit and fade like shadows, and shadows grow glowingly into truth. Her soul’s creations are not as the moving and mortal images seen in the common day: they are things, like spirits steeped in the dim moonlight, heard when all else are still, and busy when earth’s labourers are at rest! They are “Such stuff As dreams are made of, and their little life Is rounded by a sleep.” Hers is the real and uncentred poetry of being, which pervades and surrounds her as with an air, which peoples her visions and animates her love, which shrinks from earth into itself, and finds marvel and meditation in all that it beholds within, and which spreads even over the heaven in whose faith she so ardently believes the mystery and the tenderness of romance. LETTER I. FROM LADY FLORA ARDENNE TO MISS ELEANOR TREVANION.