The Disowned — CompleteLytton, Edward Bulwer Lytton, Baron
General
The Disowned — Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
The clock of St. Paul’s had tolled the second hour of morning. Within
a small and humble apartment in the very heart of the city, there sat
a writer, whose lucubrations, then obscure and unknown, were destined,
years afterwards, to excite the vague admiration of the crowd and the
deeper homage of the wise. They were of that nature which is slow in
winning its way to popular esteem; the result of the hived and hoarded
knowledge of years; the produce of deep thought and sublime aspirations,
influencing, in its bearings, the interests of the many, yet only
capable of analysis by the judgment of the few. But the stream broke
forth at last from the cavern to the daylight, although the source was
never traced; or, to change the image,--albeit none know the hand which
executed and the head which designed, the monument of a mighty intellect
has been at length dug up, as it were, from the envious earth, the
brighter for its past obscurity, and the more certain of immortality
from the temporary neglect it has sustained.
The room was, as we before said, very small, and meanly furnished; yet
were there a few articles of costliness and luxury scattered about,
which told that the tastes of its owner had not been quite humbled to
the level of his fortunes. One side of the narrow chamber was covered
with shelves, which supported books in various languages, and though
chiefly on scientific subjects, not utterly confined to them. Among the
doctrines of the philosopher, and the golden rules of the moralist,
were also seen the pleasant dreams of poets, the legends of Spenser,
the refining moralities of Pope, the lofty errors of Lucretius, and the
sublime relics of our “dead kings of melody.” [Shakspeare and Milton]
And over the hearth was a picture, taken in more prosperous days, of
one who had been and was yet to the tenant of that abode, better than
fretted roofs and glittering banquets, the objects of ambition, or
even the immortality of fame. It was the face of one very young and
beautiful, and the deep, tender eyes looked down, as with a watchful
fondness, upon the lucubrator and his labours. While beneath the window,
which was left unclosed, for it was scarcely June, were simple yet not
inelegant vases, filled with flowers,--
“Those lovely leaves, where we
May read how soon things have
Their end, though ne’er so brave.” [Herrick]
Public-domain text, read in full here on John Shaqi.
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