The Disowned — CompleteLytton, Edward Bulwer Lytton, Baron
General
The Disowned — Complete
Lytton, Edward Bulwer Lytton, Baron
English fiction -- 19th century
Glendower was touched: and his nature, as kind as it was proud,
immediately smote him for conduct certainly ungracious and perhaps
ungrateful. He held out his hand to Crauford; with the most respectful
warmth that personage seized and pressed it: and from that time
Crauford’s visits appeared to receive a license which, if not perfectly
welcome, was at least never again questioned.
“I shall have this man now,” muttered Crauford, between his ground
teeth, as he left the house, and took his way to his counting-house.
There, cool, bland, fawning, and weaving in his close and dark mind
various speculations of guilt and craft, he sat among his bills and
gold, like the very gnome and personification of that Mammon of gain to
which he was the most supple though concealed adherent.
Richard Crauford was of a new but not unimportant family. His father had
entered into commerce, and left a flourishing firm and a name of great
respectability in his profession to his son. That son was a man whom
many and opposite qualities rendered a character of very singular and
uncommon stamp. Fond of the laborious acquisition of money, he was
equally attached to the ostentatious pageantries of expense. Profoundly
skilled in the calculating business of his profession, he was devoted
equally to the luxuries of pleasure; but the pleasure was suited well
to the mind which pursued it. The divine intoxication of that love where
the delicacies and purities of affection consecrate the humanity of
passion was to him a thing of which not even his youngest imagination
had ever dreamed. The social concomitants of the wine-cup (which have
for the lenient an excuse, for the austere a temptation), the generous
expanding of the heart, the increased yearning to kindly affection, the
lavish spirit throwing off its exuberance in the thousand lights and
emanations of wit,--these, which have rendered the molten grape, despite
of its excesses, not unworthy of the praises of immortal hymns,
and taken harshness from the judgment of those averse to its
enjoyment,--these never presented an inducement to the stony temperament
and dormant heart of Richard Crauford.
He looked upon the essences of things internal as the common eye upon
outward nature, and loved the many shapes of evil as the latter does the
varieties of earth, not for their graces, but their utility. His
loves, coarse and low, fed their rank fires from an unmingled and gross
depravity. His devotion to wine was either solitary and unseen--for he
loved safety better than mirth--or in company with those whose station
flattered his vanity, not whose fellowship ripened his crude and nipped
affections. Even the recklessness of vice in him had the character of
prudence; and in the most rapid and turbulent stream of his excesses,
one might detect the rocky and unmoved heart of the calculator at the
bottom.
Public-domain text, read in full here on John Shaqi.
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