Charms -- Fiction; Great Britain -- Social life and customs -- 20th century -- Fiction; Love stories; World War, 1914-1918 -- Fiction
("But, Bird-boy, if Miss Walsh _wants_ it in platinum----!")
Now turning her wide eyes affectionately upon the girl friend opposite
to her. Olwen was not flirting with the young sailor who talked so much
and had so little to say beyond his "Bai Joves" and "Ha's"; she was only
blooming in what Mr. Brown had already called "the sunshine of his
smile"; she was also caught in and made beautiful by some of that
happiness that flowed in a current about the table under the pink
inverted parasol of lights, flowed from Golden and her Jack....
Golden and Jack.... What pretty lover's secrets was between them now?
Still watching them covertly, Mrs. Cartwright could only wonder why,
since it was possible for young human beings to be grown so big and
beautiful--why in the name of a thousand pities did Nature turn out so
many samples of the stunted, the plain, the commonplace? Must this
well-matched pair stand for the exception rather than the rule? She
watched them, and that scene of physical perfection which had so nearly
brought Claudia Cartwright to shipwreck over a boy-lover was no longer
her torment, but her comfort.
She had wept all her tears; she had tossed sleeplessly through all her
hours of fierce rebellion; she had gone through the most agonizing
ordeal of her woman's life. But thank God it was over now....
It was over! and her eyes travelled now to that which is a woman's only
balm for such wounds as hers had been.
He sat, the master of the house, with a school-fellow between himself
and Agatha Walsh. This school-fellow was sixteen, a year older but three
inches shorter than young Keith Cartwright. Keith was already well over
six foot. Coltish at present, with great wrists shooting ever too
quickly beyond his cuffs, and feet that seemed four sizes too large for
his ankles, but wait until he began to fill out! thought Claudia
proudly. Her rightness of bone, her limbs, her suppleness had gone to
her boys; Reggie, on a visit in the country, was just as good, but it
was her elder son who seemed the child of her soul as well as of her
body. He had her tastes, her impatiences. Her own ardour would presently
be breaking into flame in his heart. She felt (as even the mute-bird
mothers feel) that she at least would not fail to understand him. She
smiled across the table into his face, pink and free of care, with its
clear eyes, thick lashes (those were from his father's side), and the
fruit-like, perfect oval that does not outlast twenty-five. She, the
mother, faded; but she had set in these young plants and they were
budding.
Keith's voice (or rather voices, for he himself never knew in what
octave his words might break forth) came roughly but affectionately
across the table to his mother.
"I say, mums! What about coffee----" so far in the bass, and now a
treble squeak of "if you don't mind. Harrison says he's got to get back
home, and I wanted to put on these new records"--relapse into the bass,
"for him first?... Rightoh...."
Public-domain text, read in full here on John Shaqi.
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