The Divine Comedy, Volume 2, PurgatoryDante Alighieri
Philosophy
The Divine Comedy, Volume 2, Purgatory
Dante Alighieri
Epic poetry, Italian -- Translations into English; Italian poetry -- To 1400 -- Translations into English
After the flowers, and the other fresh herbage opposite to me on the
other bank, were free from those folk elect, even as light followeth
light in heaven, came behind them four living creatures, crowned each
one with green leaves. Every one was feathered with six wings, the
feathers full of eyes; and the eyes of Argus were they living would be
such. To describe their forms I scatter rhymes no more, Reader; for
other spending constrains me so that in this I cannot be liberal. But
read Ezekiel, who depicts them as he saw them coming from the cold
region with wind, with cloud, and with fire; and such as thou wilt find
them in his pages such were they here, save that as to the wings John
is with me, and differs from him.[1]
[1] These four living creatures symbolize the Gospels. Ezekiel (i.6)
describes the creatures with four wings, but in the Revelation (iv. 8)
John assigns to each of them six wings: “and they were full of eyes
within.” They are crowned with green, as the color of hope.
The space between these four contained a triumphal chariot upon two
wheels, which by the neck of a griffon[1] came drawn along. And he
stretched up one and the other of his wings between the midmost stripe,
and the three and three, so that he did harm to no one of them by
cleaving it. So far they rose that they were not seen. His members were
of gold so far as he was bird, and the rest were white mixed with red.
Not Africanus, or indeed Augustus, gladdened Rome with so beautiful a
chariot; but even that of the Sun would be poor to it,—that of the Sun
which, going astray,[2] was consumed at the prayer of the devout Earth,
when Jove in his secrecy was just. Three ladies,[3] at the right wheel,
came dancing in a circle; one so ruddy that hardly would she have been
noted in the fire; the next was as if her flesh and bones had been made
of emerald; the third seemed snow just fallen. And now they seemed led
by the white, now by the red, and from her song the others took their
step both slow and swift. On the left four[4] robed in purple made
festival, following the measure of one of them who had three eyes in
her head.
[1] The griffon, half eagle and half lion, represents Christ in his
double nature, divine and human. The car which he draws is the Church.
[2] When driven by Phaethon.
[3] The theological virtues, Faith, Hope, and Charity, of the colors
respectively appropriate to them.
[4] The four cardinal Virtues, in purple, the imperial color, typifying
their rule over human conduct. Prudence has three eyes, as looking at
the past, the present, and the future.
Public-domain text, read in full here on John Shaqi.
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