But Rickman was right. Lucia with all her insight had not the remotest
conception of his state of mind. The acquaintance had arisen quite
naturally out of her desire to please Horace, and if on this there
supervened a desire to please Mr. Rickman, there was not a particle
of vanity in it. She had no thought of being Mr. Rickman's
inspiration; her attitude to his genius was humbly reverent, her
attitude to his manhood profoundly unconscious. She had preserved a
most formidable innocence. There had been nothing in Horace Jewdwine's
slow and well-regulated courtship to stir her senses, or give her the
smallest inkling of her own power that way. Kitty's suggestion seemed
to her preposterous; it was only the Kittishness of Kitty, and could
have no possible application to herself.
All this was not humility on her part--nothing of the sort. So far
from being humble, Miss Lucia Harden held the superb conviction that
any course she adopted was consecrated by her adoption. It was as if
she had been aware that her nature was rich, and that she could afford
to do what other women couldn't; "there were ways," she would say, "of
doing them."
And in Mr. Savage Keith Rickman she had divined a nature no less
generously gifted. He could afford to take what she could afford to
offer; better still, he would take just so much and no more. With some
people certain possibilities were moral miracles; and her instinct
told her that this man's mind was incapable of vulgar misconception.
She was safe with him. These things she pondered during that brief
time when Rickman lingered in the portrait gallery.
He saw her again that night for yet another moment. Lucia was called
back into the picture gallery by the voice of Kitty Palliser, whose
return coincided with his departure. Kitty, from the safe threshold of
the drawing-room, looked back after his retreating figure.
"Poor darling, he has dressed himself with care."
"He always does. He has broken every literary convention."
Lucia drew Kitty into the room and shut the door.
"Has he been trying any more experiments in diminished friction on
polished surfaces?"
"No; there was a good deal more repose about him after you left. The
friction was decidedly diminished. What do you think of him?"
"Oh, I rather like the way he drops his aitches. It gives a pathetic
piquancy to his conversation."
"Don't Kitty."
"I won't. But, after all, how do we know that this young man is not a
fraud?"
"How do we know anything?"
"Oh, if you're going to be metaphysical, _I_'m off to my little bed."
"Not yet, Kitty. Sit down and toast your toes. I want to talk to you."
"All right, fire away."
But Lucia hesitated; Kitty was in an unpropitious mood.
"What do you think I've done?" she said.
Kitty's green eyes danced merrily; but in spite of their mockery Lucia
told her tale.
"It was the best I could do," said she.
Kitty's eyes had left off dancing.
Public-domain text, read in full here on John Shaqi.
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