"Well then," she said almost triumphantly. "I shall be safe. You will
do your best for me."
It was a statement, but he met it as if it had been a question.
"I will indeed."
He saw that it was in identifying his father with him that she left it
to their honour.
CHAPTER XXXII
Dicky Pilkington did not belong to the aristocracy of finance. Indeed,
finance had not in any form claimed him at the first.
Under the grey frock-coat and gleaming shirt-front, hidden away behind
the unapparent splendours of Dicky Pilkington's attire (his undermost
garments were of woven silk), in a corner of his young barbarian heart
there lurked an obscure veneration for culture and for art. When his
day's work was done, the time that Dicky did not spend in the
promenade of the Jubilee Variety Theatre, he spent in reading Karl
Pearson and Robert Louis Stevenson, with his feet on the fender. He
knew the Greek characters. He _said_ he could tell Plato from
Aristotle by the look of the text. Dicky had begun life as a Junior
Journalist. But before that, long, long before, when he was an
innocent schoolboy, Dicky had a pair of wings, dear little cherubic
wings, that fluttered uneasily under his little jacket. The wings
moulted as Dicky grew older; they shrank (in the course of his
evolution) to mere rudimentary appendages, and poor Dicky flopped
instead of flying. Finally they dropped off and Dicky was much happier
without them. Rickman used to say that if you stripped him you saw the
marks of them still quite plainly; and Dicky was always stripping
himself and showing them. They proved to these writing fellows what he
might have been if he had only chosen. He had begun by being a poet
like the best of them, and in his heart of hearts Dicky believed that
it was as a poet he should end. His maxim upon this head was: "When
I've feathered my nest it will be time enough for me to sing."
Dicky's nest was not long in feathering, and yet Dicky had not begun
to sing. Still, at moments, after supper, or on a Sunday afternoon,
walking in a green lane, Dicky would unbosom himself. He would tell
you touching legends of his boyhood and adolescence. Then he would
talk to you of women. And then he would tell you how it was that he
came to forsake literature for finance.
He had begun in a small way by financing little tradesmen, little
journalists and actresses in temporary difficulties; lending small
sums to distressed clergymen, to governesses and the mistresses of
boarding-houses. By charging a moderate interest he acquired a
character for fairness and straight-forwardness. Now and then he did
what he called a really tip-top generous thing. "Character," said
Dicky Pilkington, "is capital"; and at thirty he had managed to save
enough of it to live on without bothering about earning any more.
Public-domain text, read in full here on John Shaqi.
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