From both sides of the street, the entire length of the dinner-table
was visible. Above it, a handsome gilt gaselier spread out its
branches, and on this gaselier as many as three gas-jets burned
furiously at once. In the intense illumination the faces of the
boarders could be distinctly seen. They sat, as it were, transfigured,
in a nebulous whorl or glory of yellow light. It fell on the high
collars, the quite remarkably high collars of the young gentlemen, and
on those gay, those positively hilarious blouses which the young
ladies at Mrs. Downey's wear. Beside the water-bottles and tumblers of
red glass it lay like a rosy shadow on the cloth. It gave back their
green again to the aspidistras that, rising from a ruche of pink
paper, formed the central ornament of the table. It made a luminous
body of Mrs. Downey's face. The graver values were not sacrificed to
this joyous expenditure of gas-light, for the wall-paper (the design
was in chocolate, on a ground of ochre) sustained the note of
fundamental melancholy. At the back of the apartment, immediately
behind Mrs. Downey, an immense mahogany sideboard shone wine-dark in a
gorgeous gloom. On the sideboard stood a Family Bible, and on the
Family Bible a tea-urn, a tea-urn that might have been silver. There
was design in this arrangement; but for the Bible the tea-urn would
have been obliterated by Mrs. Downey; thus elevated, it closed, it
crowned the vista with a beauty that was final, monumental and
supreme.
You had only to glance through those windows to see that Mrs. Downey's
combined the splendid publicity of an hotel with the refinements of a
well-appointed home. That it offered, together with a luxurious table,
the society of youthful persons of both sexes. And if everything
around Mrs. Downey was on a liberal scale, so was Mrs. Downey herself.
She was expansive in her person, prodigal in sympathy, exuberant in
dress. If she had one eye to the main chance, the other smiled at you
in pure benignity. On her round face was a festal flush, flooding and
effacing the little care-worn lines and wrinkles which appeared on it
by day. It wore the colour of the hour which, evening after evening,
renewed for her the great drama and spectacle of the Dinner.
Her table was disposed with a view to scenic effect. It was not by
accident that Mrs. Downey herself was seated at the obscure or
sideboard end, and that she gathered round her there the older and
less attractive members of her circle. This arrangement was flattering
to them, for it constituted an order of precedence and they were in
the seats of honour. It had also the further advantage of giving
prominence to the young people whose brilliant appearance of an
evening was as good as an advertisement for Mrs. Downey's.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account