And all the time his genius, already vigorous enough in all
conscience, throve on his suffering as it had thriven on his joy. In
that summer of ninety-two, Rickman's _Saturnalia_ were followed by _On
Harcombe Hill_ and _The Four Winds_, and that greatest poem of his
lyric period, _The Song of Confession_. Upon the young poet about town
there had descended, as it were out of heaven, a power hitherto
undreamed of and undivined. No rapture of the body was ever so winged
and flamed, or lost itself in such heights and depths of music, as
that cry of the passion of his soul.
CHAPTER XLI
Meanwhile, of a Sunday evening, Miss Poppy Grace wondered why
Ricky-ticky never by any chance appeared upon his balcony. At last,
coming home about ten o'clock from one of his walks to Hampstead, he
found Poppy leaning out over _her_ balcony most unmistakably on the
look-out.
"Come in and have some supper," said she.
"No thanks, I fancy it's a little late."
"Better late than never, when it's supper with _me_. Catch!" And
Poppy, in defiance of all propriety, tossed her latch-key over the
balcony. And somehow that latch-key had to be returned. He did not use
it, but rang, with the intention of handing it to the servant; an
intention divined and frustrated by Poppy, who opened the door to him
herself.
"Don't go away," she said, "I've got something to tell you."
"Not now, I think--"
Her eyes were hideous to him in their great rings of paint and bistre.
"Why ever not? It'll only tyke a minute. Come in; there's nobody up
there that matters."
And because he had no desire to be brutal or uncivil, he went up into
the room he knew so well. It being summer, the folding doors were
thrown wide open, and in the room beyond they came upon a large lady
in a dirty tea-gown, eating lobster. For Poppy, now that she saw
respectability departing from her, held out to it a pathetic little
hand, and the tea-gown, pending an engagement as heavy matron on the
provincial stage, was glad enough to play Propriety in Miss Grace's
drawing-room. To-night Poppy made short work of Propriety. She waited
with admirable patience while the large lady (whom she addressed
affectionately as Tiny) followed up the last thin trail of mayonnaise;
but when Tiny showed a disposition to toy with the intricacies of an
empty claw, Poppy protested.
"Hurry up and clear out, there's a dear. I want to give Rickets his
supper, and we haven't got a minute to spare."
And Tiny, who seemed to know her business, hurried up and cleared out.
But Rickets didn't want any supper, and Poppy was visibly abstracted
and depressed. She mingled whipped cream with minute fragments of
lobster, and finally fell to torturing a sandwich with a spoon; and
all with an immense affectation of not having a minute to spare.
"Well, Ryzors," she said at last (and her accent jarred him horribly),
"this is very strynge behyviour."
"Which?"
"Which? Do you know you haven't been near me for two months?"
Public-domain text, read in full here on John Shaqi.
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