And Mrs. Downey promised not to tell, pardoning the subterfuge for
love's sake, which excuses all. "Has he gone, Flossie?" she inquired
anxiously.
"No. He's not going. He's come back for good."
"There! Didn't I say he would!"
"And what d'you think," said Flossie, sitting down and spreading her
plump arm on the secretary all over the accounts. "He's done it. He
did it up there."
Mrs. Downey stared, and Flossie nodded as much as to say "Fact!"
"You don't mean to say so?"
"Nobody's more surprised than myself."
The rest was kisses and congratulations, wholly magnanimous on Mrs.
Downey's part; for the announcement of Flossie's engagement cost her
one of the gayest, most desirable, and most remunerative of her
brilliant circle. Mr. Spinks (regarded by himself and everybody else
as permanent) gave notice and vanished from that hour, carrying with
him the hopes of Miss Ada Bishop. Meanwhile Flossie (hitherto regarded
from a merely decorative point of view) became a person of
considerable importance in the boarding-house. It was not merely that
she was an engaged young lady; for, as Miss Bishop pointed out to her
with some natural asperity, anybody can be engaged; but she had now
the privilege, denied to any other boarder, of going in and out of Mr.
Rickman's study. She said that she went in to tidy it; but strange to
say, the more Flossie tidied it the more hopeless it became. Mr.
Rickman's study was never what you might call a really tidy room; but
at any rate there had always been a certain repose about it. And now
you could not well imagine a more unrestful place, a place more
suggestive of hurry and disorder, of an utter lack of the leisure in
which ideas ripen and grow great.
The table had become a troubled sea of primeval manuscript, where Mr.
Rickman sat with his head in his hands, brooding over the face of the
waters. He had once profanely said that God's world was a chaos he had
got to work on. Now it was _his_ world that was chaos. A tempestuous
chaos, where things to be weltered in the wreck of things that were.
Rickman's genius, like Nature, destroyed in order that it might
create; yet it seemed to him that nowadays the destruction was out of
all proportion to the creation. He sighed as he gazed at the piteous
fragments that represented six months' labour; fragments that wept
blood; the torn and mutilated limbs of living thoughts; with here and
there huge torsos of blank verse, lopped and hewn in the omnipotent
fury of a god at war with his world; mixed up with undeveloped and
ethereal shapes, the embryos of dreams.
Public-domain text, read in full here on John Shaqi.
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