The revolution itself was not altogether sudden. For many months the
behaviour of _The Museion_ had been a spectacle of great joy to the
young men of its contemporary, _The Planet_. The spirit of competition
had latterly seized upon that most severely academic of reviews, and
it was now making desperate efforts to be popular. It was as if a
middle-aged and absent-minded don, suddenly alive to the existence of
athletic sports in his neighbourhood, should insist on entering
himself for all the events, clothed, uniquely, if inappropriately, in
cap and gown. He would be a very moving figure in the eyes of
hilarious and immortal youth. And such a figure did _The Museion_ in
its latter days present. But the proprietors were going to change all
that. _The Museion_ was about to be withdrawn from circulation and
reissued in a new form under the new title of _Metropolis_. As if
aware of the shocking incongruity it was going to fling off its cap
and gown. Whatever its staying power might be, its spirit and its
outward appearance should henceforth in no way differ from those of
other competitors in the race for money and position.
While the details of the change were being planned in the offices of
_The Museion_, the burning question for the proprietors was this:
would their editor, their great, their unique and lonely editor, be
prepared to go with them? Or would he (and with him his brilliant and
enthusiastic staff) insist on standing by the principles that had been
the glory of the paper and its ruin? Mr. Jewdwine had shown himself
fairly amenable so far, but would he be any use to them when it really
came to the point?
Public-domain text, read in full here on John Shaqi.
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