And this was how it happened. They were going to live at Ealing; not
because they liked it, but because the neighbourhood was cheap.
Flossie had said, "When we're rich, we'll go to Kensington"; and he
had answered with an odious flippancy, "Yes, and when we die we'll go
to heaven"; but for the present, Flossie (wise Flossie who loved
economy even more than Kensington) was content with Ealing. That she
was obliged to be content with it made her feel, naturally, that she
was entitled to gratification on every other point. It was not over
Ealing, then, that they quarrelled, but over the choosing of the
house. Flossie was all for a gay little brand-new, red-brick villa,
with nice clean white paint about it, only two minutes from the tram;
he for a little old-fashioned brown-brick house with jasmine all over
it, and a garden all grass and lilac bushes at the back. He said the
garden would be nice to sit in. She said, what was the good of sitting
in a garden when you had to walk ever so far to the tram? He retorted
that walking was a reason for sitting; and she that if it came to that
they could sit in the house. She wouldn't hear of the old brown house,
nor he of the brand-new villa. He was peculiarly sensitive to his
surroundings.
"The villa," said he, "is a detestable little den."
"It isn't," said she, "it's got a lovely bay window in the drawing
room, and a _dear_ little balcony on the top."
"But there isn't a quiet place in it, dear, where I could write."
"Oh, that's all you're thinking of--"
"Well, there isn't, really. Whereas here" (they were going now through
the little brown house), "there's a jolly big room at the back, where
you can see miles away over the fields towards Harrow."
"Oh, you've got time to look out of the window, have you, though you
_are_ so busy?"
"Never mind the window, let's look at the house. What's wrong with
it?"
"What's wrong with the house? It won't suit the furniture, that's
what's wrong with it."
"You mean the furniture won't suit it?"
"The furniture's chosen and the house isn't. There's no good going
back on that."
"Look here, this is the room I meant." They had climbed to the top of
the little brown house, and Flossie had hardly condescended to glance
through the doors he had opened on their way. He opened one now at the
head of the stairs, and this time she looked in.
"It would make all the difference to me, Floss," he said humbly, "if I
had a place like this when I want to get away to write."
"When you want to get away from me, you mean." Her lips shook; she
looked round her with angry eyes, as if jealous of the place, and all
that he meant to do in it.
Public-domain text, read in full here on John Shaqi.
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