The Divine Office: A Study of the Roman BreviaryQuigley, Edward J.
Religion
The Divine Office: A Study of the Roman Breviary
Quigley, Edward J.
Catholic Church. Breviary; Divine office
But the question arises, when did Rome introduce hymns into her liturgy?
The learned Jesuit, Father Arevalo, held that the Roman Office had hymns
as an integral part from the time of St. Ambrose, and he called the
opinion of those who held that they were of later introduction an
inveterate error, _errorem inveteratum (Hymnodia Hispanica_ XVIII., n.
95). The introduction of antiphonal chanting was introduced into Rome at
the time of St. Ambrose and liturgical hymn singing, too, was
introduced about the same time. This we know from the Milanese priest
Paulinus, St. Augustine, Pope Celestine I., and Faustus, Bishop of Riez.
But formal, official and systematic hymnody was not introduced in Rome
until centuries after the death of St. Ambrose. Mabillon (Suppl. ad IV.
lib de div. off. Amalarii, t. 11) and Tomasi (In annot, ad Resp. et
antip. Rom. Ecc.) place the date of the introduction of hymns into the
Roman liturgy, in the eleventh or twelfth centuries. But scholars now
agree that hymns were formally recognised in the liturgy of Rome in the
latter half of the ninth century. "To judge of what Amalare of Metz
says, there was no sign of it at the beginning of the ninth century, but
from the middle of the same century onwards hymns must have been
introduced into the Office used by the Churches of the Frankish empire,
and shortly afterwards in Rome" (Baudot, _op. cit._, pp. 67-68). Wilfrid
Strabo agrees with Amalare. Rabanus Maurus testifies that hymns were in
general usage in the second part of the ninth century. (Migne, Pat. Lat.
clx. 159, cxiv. 956). This is the opinion of Gueranger, Pimont, Blume
and Baumer.
Dom Gueranger explains why Rome, the mother and mistress of all the
churches, did not adopt the practice of hymn chanting in her liturgy for
centuries; why she did not precede or quickly follow the Eastern and
many parts of the Western Church in this matter of liturgical hymns.
"The Church," he says, "did not wish to alter by religious songs the
simplicity, or the meaning, of her great liturgical prayer. Nor did she
wish to adopt quickly any innovation in her liturgy or discipline"
(_Inst. Liturg._ I. 1, pp. 170-171).
No part of the Church's liturgy has met with such persistent, abusive,
and often ignorant criticism as her hymns have received.
Public-domain text, read in full here on John Shaqi.
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