The Rector of Manafon, Mr. Walter Davies, in his View of the
Agriculture and Domestic Economy of North Wales, says, “Strangers have
oftentimes listened with attention to Gentlemen of the County of
Montgomery enquiring anxiously into the conduct and fate of the
Windsor Castle, the Impregnable, the Brunswick and other men of war,
in some particular naval engagements; and were led to imagine that
they had some near and dear relations holding important commissions on
board; but upon farther enquiry, found the ground of this curiosity to
be no other than that such ships had been partly built of timber that
had grown upon their estates; as if the inanimate material contained
some magic virtue.” The good Rector might have perceived in what he
censures, one indication of that attachment to our native soil, on
which much of the security of states depends, much of the happiness of
individuals, and not a little of their moral and intellectual
character.
But indeed the same cause which renders personification a common
figure not only with poets and orators, but in all empassioned and
even in ordinary speech, leads men frequently both to speak and act as
if they ascribed life and consciousness to inanimate things.
When the Cid Campeador recovered from the Infantes of Carrion, his two
swords Colada and Tizona, “his whole frame,” says the Chronicler,
“rejoiced, and he smiled from his heart. And he laid them upon his lap
and said, ‘Ah my swords, Colada and Tizona, truly may I say of you
that you are the best swords in Spain; and I won you, for I did not
get you either by buying or by barter. I gave ye in keeping to the
Infantes of Carrion that they might do honour to my daughters with ye.
But ye were not for them! They kept ye hungry, and did not feed ye
with flesh as ye were wont to be fed. Well is it for you that ye have
escaped that thraldom and are come again to my hands.’”
The same strong figure occurs in the Macaronea,
_Gaude, Baldus ait, mi brande! cibaberis; ecce
Carnis et sanguis tibi præsententur abunde._
Public-domain text, read in full here on John Shaqi.
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